It’s springtime on the Plains. A group of writers mill nervously around a brightly lit bar. A woman stalks dusty library shelves, scanning names on the canvas spines. Somewhere in Florida, a thunderstorm is brewing.
It’s raining in the Piedmont. A group of poets clink glasses in mutual congratulation. A father and son listen, with hunched shoulders, around an old phonograph. Pages of a burning journal smolder in a sink.
It’s midnight in Kentucky. A man sits at a desk, pecking at an ancient Apple I computer; the light’s still on in the basement. Somewhere a juke box is playing “A Feather’s Not A Bird,” by Rosanne Cash. A glass of bourbon bounces when it hits the barroom floor.
One of the central themes of Megan Mayhew Bergman’s fiction concerns the varying identities that people—especially women—worry over, the personas they adopt and adapt for their own purposes. In her latest collection, Almost Famous Women, Bergman explores the stories of thirteen women whose lives and achievements have been lost to the main stream of contemporary memory.
OA contributing editor Jamie Quatro, author of I Want to Show You More, spoke with Bergman about her new book, the writing life, and “trying on ways of being female.”
"Some country songs sound like they have simply always existed," Rick Clark wrote of Hayes Carll's "Chances Are" in the liner notes of our Texas Music Issue CD. Lee Ann Womack's version of the song, from last year's The Way I'm Livin' (her first release in six years), is track 18 on the disc. Today we are happy to premiere the video of the in-studio live recording, courtesy of our friends at Sugar Hill Records.
The staff of the Oxford American is delighted to welcome you to the new OxfordAmerican.org. The website, built by Little Rock's Pixel Perfect Creative, has been reorganized for usability, and the design—created by OA art director Tom Martin—reflects our quarterly print edition. A starting point for exploration might be the following essays, which were among the most-visited stories on our website in 2014.