Playlists curated by your favorite musicians and writers. by Brittany Howard, Kiese Laymon, Rosanne Cash, Kelsey Waldon, & others | Nov, 2020

An introduction to the Music Issue’s Icons Section Beyond my eye, beyond the death and decay of matters left behind and unsettled, the music ringing up above my head told a thousand stories of bounty and belonging, and it glimmered… by Danielle A. Jackson | Nov, 2020

A poem from the Greatest Hits Music Issue Oh, oh, baby: the door opened making new, irregular / air, startled into the shape of Texas. Blood behind each syllable, / as if my body recognized touch & pulse before a hand /… by Iliana Rocha | Nov, 2020

An essay from the Greatest Hits Music Issue If my dad’s career trajectory seemed unlikely, that paled in comparison to the odds of such a thing occurring at all in a small dry county in the Bible Belt. That so… by Patterson Hood | Nov, 2020

An essay from the Greatest Hits Music Issue The first songs that I listened to by Talibah Safiya had this soft, sweet, plaintive quality. There is something else underneath if you listen a bit closer: a little loneliness. The knowledge… by Jamey Hatley | Nov, 2020

Originally published in our 1993 Music Issue  Long before any R.E.M. albums went gold or platinum, the band’s omnipresence on the college scene made them as much an oppressive force in bookworm circles as the “mainstream” music they were supposed… by Elizabeth Wurtzel | Nov, 2020

Originally published in our 2001 Music Issue  “One night we were at the house getting ready to go to a concert later that evening, and it was just pouring down with rain, and thunder was cracking,” Peebles told the Memphis… by Andria Lisle | Nov, 2020

An introduction to the Greatest Hits Music Issue How does the South inform my music? How do I describe the sound that your bare feet make when they pat the cool, packed red dust under them? How do I describe… by Brittany Howard | Oct, 2020

Peter Guralnick

Peter Guralnick’s most recent book is Looking to Get Lost: Adventures in Music and Writing, which was published in October. His previous book was Sam Phillips: The Man Who Invented Rock ’n’ Roll, which was short-listed for the Plutarch Award for Best Biography of the Year in 2015.

October 27, 2020

An excerpt from Looking to Get Lost by Peter Guralnick 

Simply put, this is a book about creativity. Like so many other things in my life, this is a realization I have come to only after the fact. 

October 27, 2020

An essay from the Greatest Hits Music Issue

I first met Skip James at Dick Waterman’s apartment in Cambridge in the summer of 1965. I sought him out because, quite simply, his music had overwhelmed me: the blues that he had recorded for Paramount Records in 1931 on piano and guitar, four of whose sides had been reissued on collectors’ labels in the early ’60s, had struck me as unfathomably strange, beautiful, and profound.

 

August 09, 2017

Marketing strategies (which, after all, is all that categories are) may rise and fall, but to the democratic listener they are beside the point. The music calls attention to itself, and then takes you somewhere else. It isn’t really any different than going to Memphis was for me in the first place. One thing inevitably leads to another, and before you know it, you are caught up in the ecstatic dance, the ecstatic trance of the music.

November 18, 2015

Blues really was the transformation of my life. When I was fifteen or sixteen, a friend and I just kind of stumbled onto the music. It was the beginning of the folk revival—1959 or 1960—and somehow in the midst of all that wholesomeness, we fell into the blues.

November 07, 2013

Roland Janes, 1933-2013

If you ever visited the Sam C. Phillips Recording Studio at 639 Madison Avenue in Memphis, you would know Roland Janes. He was there managing the studio, engineering sessions, greeting the world, every day more or less for the last thirty years, working with everyone from Charlie Rich to Memphis rappers Three 6 Mafia and Al Kapone to Bob Dylan, Jerry Lee Lewis, and anyone who might wander in off the street looking to cut a “personal” record.