Playlists curated by your favorite musicians and writers. by Brittany Howard, Kiese Laymon, Rosanne Cash, Kelsey Waldon, & others | Nov, 2020

An introduction to the Music Issue’s Icons Section Beyond my eye, beyond the death and decay of matters left behind and unsettled, the music ringing up above my head told a thousand stories of bounty and belonging, and it glimmered… by Danielle A. Jackson | Nov, 2020

An essay from the Greatest Hits Music Issue She traveled the world and left it scorched with her fearlessness and musical originality, inspired fierce devotion from an audience who thrilled to her enormous gifts and her personal excesses, and shook… by Rosanne Cash | Nov, 2020

Originally published in our 2001 Music Issue  “One night we were at the house getting ready to go to a concert later that evening, and it was just pouring down with rain, and thunder was cracking,” Peebles told the Memphis… by Andria Lisle | Nov, 2020

An essay from the Greatest Hits Music Issue Great Black music is that which isn’t trying to impress or entreat or even necessarily communicate with a white audience—or any audience. Instead, great Black music works to retrieve what Rahsaan Roland… by Harmony Holiday | Nov, 2020

Poachers are among a small group that have actually seen the flytrap in the wild, and Officer Gorchess thinks they know what they’re talking about. “The guys who actually take them probably know more about flytraps than ninety-nine percent of… by Joe Purtell. Photographs by Nina Riggio | Nov, 2020

An essay from the Greatest Hits Music Issue There was a moment in 1958 when the future of jazz took an extraordinary turn that would be imperceptible to the world for another quarter century. That’s when Ellis Marsalis Jr., freshly… by Gwen Thompkins | Nov, 2020

An introduction to the Greatest Hits Music Issue How does the South inform my music? How do I describe the sound that your bare feet make when they pat the cool, packed red dust under them? How do I describe… by Brittany Howard | Oct, 2020

Cynthia Shearer

Cynthia Shearer is the author of two works of fiction, The Wonder Book of the Air  and The Celestial Jukebox. Her work has appeared in such publications as TriQuarterly, The Missouri Review, and Virginia Quarterly Review.  Formerly a curator of William Faulkner's home, Rowan Oak, in Oxford, Mississippi, she now lives in Fort Worth, Texas, and teaches at Texas Christian University.

April 05, 2016
Canvassing Texas for undocumented songs and sounds, Owens stumbled across the big secret: field recording is holy work, eavesdropping on the unsyndicated histories of the world.
February 15, 2017

Willie Mae Thornton was one of the crucial donors in the transfusion of black Southern blues into two separate veins of white rock & roll in America. Born in southern Alabama in 1926, she was inducted into the Blues Foundation’s Blues Hall of Fame the same year she died, in 1984. Although she could not read music, she was a respected colleague of Robert “Junior” Parker, T-Bone Walker, Muddy Waters, John Lee Hooker, Clifton Chenier, Howlin’ Wolf, Buddy Guy, B. B. King, Gatemouth Brown, Bobby “Blue” Bland, James Cotton—everybody who was anybluesbody. But Big Mama’s name comes up today mostly in discussions of two songs that tethered her to white rock & roll history.

December 15, 2015

Jazz owes its origins to the bump and grind of turn-of-the-century brothels and the colored waif orphanages of the South’s great cities, but where is the wellspring of swing? Swing, children, begins with Fletcher Henderson, one of the great big band leaders for the ages.

December 15, 2011

About music he was rarely wrong, our old master, Barry Hannah, Mississippi boy who sometimes flew too close to the sun. He made me a mixtape, one time when I was faltering in life.