Playlists curated by your favorite musicians and writers. by Brittany Howard, Kiese Laymon, Rosanne Cash, Kelsey Waldon, & others | Nov, 2020

An introduction to the Music Issue’s Icons Section Beyond my eye, beyond the death and decay of matters left behind and unsettled, the music ringing up above my head told a thousand stories of bounty and belonging, and it glimmered… by Danielle A. Jackson | Nov, 2020

An essay from the Greatest Hits Music Issue She traveled the world and left it scorched with her fearlessness and musical originality, inspired fierce devotion from an audience who thrilled to her enormous gifts and her personal excesses, and shook… by Rosanne Cash | Nov, 2020

Originally published in our 2001 Music Issue  “One night we were at the house getting ready to go to a concert later that evening, and it was just pouring down with rain, and thunder was cracking,” Peebles told the Memphis… by Andria Lisle | Nov, 2020

An essay from the Greatest Hits Music Issue Great Black music is that which isn’t trying to impress or entreat or even necessarily communicate with a white audience—or any audience. Instead, great Black music works to retrieve what Rahsaan Roland… by Harmony Holiday | Nov, 2020

Poachers are among a small group that have actually seen the flytrap in the wild, and Officer Gorchess thinks they know what they’re talking about. “The guys who actually take them probably know more about flytraps than ninety-nine percent of… by Joe Purtell. Photographs by Nina Riggio | Nov, 2020

An essay from the Greatest Hits Music Issue There was a moment in 1958 when the future of jazz took an extraordinary turn that would be imperceptible to the world for another quarter century. That’s when Ellis Marsalis Jr., freshly… by Gwen Thompkins | Nov, 2020

An introduction to the Greatest Hits Music Issue How does the South inform my music? How do I describe the sound that your bare feet make when they pat the cool, packed red dust under them? How do I describe… by Brittany Howard | Oct, 2020

John Poch

John Poch has published four collections of poems. His most recent, Fix Quiet, won the 2014 New Criterion Poetry Prize.
January 28, 2015

In a place where we have few trees and a lot of wind, I’ll risk it and go out on a limb to say that Texas may be a part of the New South. Texas doesn’t believe that, but still, there’s a common bond. Almost. I think it was Leon Stokesbury who I first heard define the Southern poem. He thought such a poem likely included a big dose of heartbreak and comic sensibility featuring family, landscape, and religion in varying degrees and combination. I hear these same quirky, dusty, open-sky, heartfelt mixtures in the songs of Townes Van Zandt, Lyle Lovett, the Dixie Chicks (don’t judge), and more recently, Amanda Shires.

January 27, 2015

A poem from the winter 2014 issue.

Last century, like angels before the world was born,
Cowboys ruled the West. Now, like angels scorned,
come the Texans to lay the black on blue.