A Points South essay from the North Carolina Music Issue. Shortly after publishing the biography John Coltrane: His Life and Music, Lewis Porter received a letter from a man who identified himself as a Coltrane. Only not, presumably, one related… by Benjamin Hedin | Nov, 2018

A Points South essay from the North Carolina Music issue. My hometown is just over an hour from Myrtle Beach, and so it was not unusual for people to make the pilgrimage to the Pad or the Spanish Galleon or… by Jill McCorkle | Nov, 2018

A Points South essay from the North Carolina Music Issue.  Even with all the influences on his style and songs—Fred Miller, Blind Boy Fuller, Lightnin’ Hopkins, Blind Lemon Jefferson, Sonny Terry, and Brownie McGhee, to name some—Henry had a large… by Tom Rankin | Nov, 2018

A Points South essay from our North Carolina Music Issue.  After twenty-four years of educational experimentation and financial struggle, Black Mountain College closed in 1956. Today it is remembered primarily for its tremendous impact on the visual arts. Among the… by John Thomason | Nov, 2018

A feature essay from the North Carolina Music Issue.  I wanted to start with the wild weeds and the creaking wood on the front porch, walking up to Nina Simone’s childhood home in Tryon, North Carolina. I wanted to start… by Tiana Clark | Nov, 2018

A feature essay from the North Carolina Music Issue.  Rapsody now dons the mantle for a long tradition of black women, particularly those from the South, forcing Americans to look in the mirror of our professed ideals and to face… by L. Lamar Wilson | Nov, 2018

A poem from the North Carolina Music Issue. When it snows, the entire post shuts down like there is no war going on. Perhaps the higher-ups decide to let those left behind, for the moment, savor the chance to shape snowmen with their children or lie… by Zachary Lunn | Nov, 2018

Track 15 – “Holy Ghost, Unchain My Name” by Elizabeth Cotten Mentor to Alice Gerrard, beacon to all of us North Carolina folkie wannabes, revered by those of us with any musical knowledge, and—music’s highest compliment—sung by many of us who… by Tift Merritt | Nov, 2018

Notes on the songs from our 20th Southern Music Issue Sampler featuring North Carolina. The profiles, eulogies, and essays herein boast of remarkable achievements of North Carolina’s musicians across eras and genres: from unassailable legends (High Point’s John Coltrane, Tryon’s… by Oxford American | Nov, 2018

Jeff Rich

Jeff Rich is a photographer based in Iowa City. His work focuses on water issues ranging from recreation and sustainability to exploitation and abuse. Jeff currently teaches photography at the University of Iowa. He curates the OA’s weekly photo series, Eyes on the South.

July 15, 2013

"The title comes from the name of the river that runs through the city, and alongside my grandfather’s farm and brother’s house. It is also the name of the Native American burial mounds that reside on the edge of my family’s property."

November 09, 2014

"This collection represents a small sample of the people and places I've discovered during my weekly photo walks in North Carolina. I dedicate time each week to capturing visual moments and documenting their place in history. I am fascinated by the connection between human influence on nature and the way time serves as a transformative agent."

October 26, 2014

"I am drawn to complex scenes in the American landscape that abound with visual confusion and bring my sense of order to it by picturing my interpretation of the emotional vibration and color of American life."

October 19, 2014

"This series is a narrative investigation of the man-woman and culture-nature dichotomies. While these comparisons are more metaphorical than literal, they lend themselves to the understanding of how objectification, gender, and oppression translate between systems of being."

October 12, 2014

Devil’s Promenade is a project about our home region that blends folklore and local history with our present day photographs of Ozark people, the land, and interpretive images based on the living mythology of the Light."

September 28, 2014

"More often, the events allude to a specific reminiscence from my childhood. A car-sized drainage ditch runs parallel to Cherokee Avenue in Columbus, Georgia, and I remember more than once, an automobile would carry its driver tumbling down into the concrete pit."

September 21, 2014

"To love a place from a distance is to embellish it with memory, desire, and myth. Why Don't You Come Home is a fantasy, a lyric, and a document of one of several returns to the place where I grew up. It is part of an ongoing exploration of a South that is both familiar and strange, both real and imagined."

July 06, 2014

"Durham's struggles are part of an American trend that keeps our country from living up to its potential.... The human spirit persists as new communities are born of violence and strangers band together for support and change."

April 30, 2014
Behind the scenes of horse racing.
April 15, 2014

With his series Postcards, Florida-based artist Warren Thompson looks at roadside curiosities throughout the South. His work uses a combination of text and color that forms a distinctly Southern narrative of religion and leisure.