An installment in John T. Edge's Points South column, Local Fare. When I began reading and thinking about Dixie Vodka, I didn’t want to gallop toward a conclusion. I aimed to plod, to listen, to map the paper trail of… by John T. Edge | Jun, 2018

A short story from the Fall 2018 issue. He saw no need to damn a place just on the face of it; he figured there must be a flower blooming somewhere in West Memphis, though he had seen no sign… by David Wesley Williams | Sep, 2018

A feature essay from the Fall 2018 issue. Why was my great-great-grandfather always referred to as “Robert Singleton, the Civil War veteran who lost his leg at Murfreesboro, then went on to become Clerk of the County Court” rather than… by Danielle Chapman | Sep, 2018

 A Letter from the Editor, Fall 2018. I was struck by a phrase written by Jelani Cobb for the New Yorker, which characterized our former president as “a man who grasps history as the living context of our lives.” This… by Eliza Borné | Sep, 2018

A featured short story from the Fall 2018 issue. Our distant ancestor Harriett Moss made a living painting portraits of dead children. But before her career began in earnest, she sketched only cows. It was her husband, Thomas Moss, who… by Lee Conell | Sep, 2018

A Southern Journey from the Summer 2018 issue.  Pulled by the pale, stout horses, we listened as he told us the history of the paniolo culture in Hawaii. I sat on the wagon’s bench behind my father as he talked.… by Holly Haworth | Jun, 2018

A Points South story from the Fall 2018 issue “I just have this fear every day that somewhere there’s another load going to the landfill of the only known copy of something that helped change American music,” Darden told me.… by Will Bostwick | Sep, 2018

A feature essay from the Fall 2018 issue. I first devoured Robert Gipe’s books and plays because I wanted to understand Appalachia. I was searching for deeper insights than the victim-blaming bootstrap narrative espoused in J. D. Vance’s best-selling book,… by Beth Macy | Sep, 2018

Reading Florida.  You see one thing when you look at the state from a distance, but if you come closer, dig deeper, you always find something else. This probably has something to do with Disney World, but it also relates… by Sarah Viren | Jun, 2018

Jeff Rich

Jeff Rich is a photographer based in Iowa City. His work focuses on water issues ranging from recreation and sustainability to exploitation and abuse. Jeff currently teaches photography at the University of Iowa. He curates the OA’s weekly photo series, Eyes on the South.

April 13, 2015

In Post Script, Rachel Boillot explores the role of the postal service in rural Southern communities—including the impact of the U.S. government’s decision to close more than three thousand post offices in 2011.

April 06, 2015

In Florida’s Waterfront Wonderland Sean Salyards turns his lens to the real estate developments in Cape Coral, Florida. The series was inspired by Salyards’s late grandfather—a longtime resident of the Cape—as well as his father, who died of cancer in 2007.

March 24, 2015

Inspired by stories of Hurricane Camille, which devastated the Mississippi coast in 1969, Thomas Pearson explores the ways that communities collectively navigate natural disasters. In Flesh Like Grass Pearson focuses on the tornado-ravaged town of Columbia, Mississippi, as well as the post-Katrina landscape of the Gulf Coast.

March 17, 2015

In “Shiny Ghost,” Rachel Cox photographs her grandmother over the last few years of her life as she struggled with a degenerative brain disease. Through this series, Cox was able to confront the unsettling emotions sewn into their relationship, and finally came to understand how mutual vulnerability and trust could restore their connection.

March 04, 2015

Cole Caswell’s photography explores the lives of people who live off the conventional grid, such as a homeless DIY punk couch-surfing in Savannah and a retired stock trader/primitive-skills-master hiding out on a swampy homestead. Caswell develops his images, all tintypes, on the road in a hand-built portable darkroom.

February 23, 2015

“Do we simply see what we believe or do we believe what we see?” This is the question posed by Elizabeth Moran in her series “Record of Cherry Road,” which investigates paranormal activity on her family’s land in Memphis, Tennessee.

February 17, 2015

Rising from the artist’s interest in photography and oral history, Tall Timbers is a visual and verbal project. Sass’s goal is both to document the dwellings where tenant farmers once lived, and to hear the stories of the families who contributed extensively to the history of Southern agriculture.

February 02, 2015

What will happen when humanity pushes itself to the brink of extinction? That’s the question posed by Corey George in “Alas, Babylon,” a series of photographs documenting Florida’s vast underpopulated suburbs. Slowly yet relentlessly, nature is reclaiming places like Lehigh Acres, with its 100,000 empty lots and 10,000 miles of unused roads. “One day,” George says, “these roads will be gone, and this land will go back to being Florida scrubland and forest.”

January 26, 2015
During a recent trip through the Grand Canyon, I recognized the loss of water, land, and culture that's been inflicted upon the Colorado River. I realized the importance of watersheds as maps; they tell the story of civilization. This inspired my investigation into the current state of American rivers.
January 13, 2015

Once a thriving port during the Civil War, Hopewell hasn’t seen its heyday since. Today it struggles to keep its economy afloat and the local grocery stores in business, but, unlike many American cities, Hopewell isn’t on the decline. In fact it has been about the same my whole life—a small, unchanging factory town in central Virginia.