An installment in John T. Edge's Points South column, Local Fare. “I do this to investigate complicity and interrogate white supremacy,” Tunde Wey said on a Monday night in October, standing on a chair before a dinner crowd of fifty-plus… by John T. Edge | Mar, 2018

A Writing on Writing essay from the 100th issue. So, I kind of fell backward into writing, not because it came “naturally” or because I wanted to join the family business (in his novel Money, Martin Amis, the son of… by Bronwen Dickey | Mar, 2018

An installment in Chris Offutt’s Omnivore column, Cooking with Chris.  According to the exuberant advertising, my Echo was in full possession of sixty thousand recipes, which is why it’s worth writing about in a “food essay.” I have a very large… by Chris Offutt | Mar, 2018

A feature essay from the 100th issue. For Evangelical believers, the most important decision in one’s life—in some ways, the only choice that really matters—occurs abruptly, in the direct presence of God and other people, and then can’t be undone.… by Molly McCully Brown | Mar, 2018

An Omnivore essay from the 100th issue.  In the coming skirmishes over the legitimacy of color photography, the image would take on a great symbolic significance. This minor, inexplicable moment—in which a photographer had pondered a light bulb in the… by Will Stephenson | Mar, 2018

A Points South essay from the 100th issue.  New Orleans loves to celebrate and romanticize its French and Spanish influences. But so much of the city’s culture—the food, the music, the dance, Mardi Gras itself—is indebted to the Caribbean. New… by Laine Kaplan-Levenson | Mar, 2018

A feature essay from the 100th issue. From across the broad and whitecapped Indian River, the Kennedy Space Center looks like two tiny Lego sets in the distant vegetation. The palms here are windswept, the oaks are scrubby. Pelicans bob… by Lauren Groff | Mar, 2018

 A Letter from the Editor, Spring 2018. This issue is packed with other luminaries: Nikki Giovanni, Lolis Eric Elie, and Wendell Berry express the tenderness of our closest relationships. Randall Kenan and Thomas Pierce, contemporary masters of Southern fiction, offer… by Eliza Borné | Mar, 2018

A poem from the Spring 2018 issue. I know we are happy To hold them in our arms      Watching  Them squizzle by Nikki Giovanni | Mar, 2018

Jeff Rich

Jeff Rich is a photographer based in Iowa City. His work focuses on water issues ranging from recreation and sustainability to exploitation and abuse. Jeff currently teaches photography at the University of Iowa. He curates the OA’s weekly photo series, Eyes on the South.

February 28, 2013

Roger May's project Testify is a measured and honest documentation of Appalachia. His photographs tell a story in which family, industry, memory, erasure, and loss play equal parts.

December 14, 2014

Our Eyes on the South curator, Jeff Rich, spent a weekend in New Orleans checking out PhotoNOLA, an annual photography festival coordinated by the New Orleans Photo Alliance in partnership with galleries, museums, and photographers. These are his favorite moments from that trip.

December 07, 2014

For the past year I have been documenting the Santee Coastal Reserve, a Wildlife Management Area operated by the South Carolina Department of Natural Resources. This twenty-four thousand acre tract encompass some of the greatest bio-diversity on the east coast.

September 03, 2013

This week we feature the series Of This Place by David Simonton, which focuses on the seemingly empty places of North Carolina. Simonton works in a traditional format using black and white film and prints, developed solely in the darkroom.

July 08, 2013

In Delivered, Amanda Greene explores the haunts of her Georgia childhood—the places, and a culture, that didn’t change much while she was living in California for almost two decades.

May 30, 2013

This week we are featuring a selection from Tammy Mercure's series Cavaliers. Tammy was one of the OA's 100 New Superstars of Southern Art in the Visual South issue from 2012. This new project focuses on car culture in the South.

April 04, 2013

Stephen Milner’s ongoing work, The Ogeechee River Project, documents the environmental problems facing the residents living along the river, as well as some of the recent effects of the flooding.

December 19, 2012

In her photographs White contrasts landscapes from Mississippi with scenes from Maine. White’s work speaks to the experience of travel. Not only the pleasure of seeing a new landscape with its unfamiliar textures and light, but also our tendency to seek out the forms and landscapes that remind us of home.

November 05, 2012

Aaron Norberg’s project Open Field shows us landscapes in the midst of transition. Whether they are being clear-cut, filled with more earth, or reclaimed by nature, these landscapes are all managed and ultimately shaped by man.

October 01, 2012

The project Ecotones by Gary Pilcher takes the ecological transition zones of coastal Georgia as its subject matter. Most of his images depict a screen of light and color that overlay the subtle details of a landscape underneath.