A Points South essay from the North Carolina Music Issue. I heard voices down the hall and followed them into the recording room, where I found Soul Council producer Kash talking with Tia Watlington, Jamla’s director of product management, and… by Dasan Ahanu | Nov, 2018

A Points South essay from the North Carolina Music Issue. I first heard Wesley Johnson’s name in 2008 while speaking with Carlotta Fleming (née Samuels) about her vocal group, Odyssey 5. After recording their lone LP, First Time Around, for… by Jon Kirby | Nov, 2018

A feature essay from the North Carolina Music Issue.  I wanted to start with the wild weeds and the creaking wood on the front porch, walking up to Nina Simone’s childhood home in Tryon, North Carolina. I wanted to start… by Tiana Clark | Nov, 2018

A Points South essay from the North Carolina Music Issue. Around the close of the 1950s, if you wanted to hear the beginnings of the funk music that James Brown would soon introduce to the world, you wouldn’t find much… by Sarah Bryan | Nov, 2018

A poem from the North Carolina Music Issue. It rises from dust, rakes in the populace, feeds them fried Twinkies, fried trees if they could put them on a stick and powder them in sugar. Bodies bunch up: the perfumed, the balmy, the whole… by C. L. White | Nov, 2018

A feature essay from the North Carolina Music Issue. Perverse? Yes. Blasphemous? Maybe. But not irreconcilable. To contemplate the meaning of Jodeci is to grasp at the intersection of religion and excess, of devotion and abandon, of agape and eros—a… by Lauren Du Graf | Nov, 2018

A Points South essay from the North Carolina Music Issue. Funk can be a sense of place, transmigratory memories filtered through the nose. For George Clinton, the smell of pig shit crosses state lines. “I remember feeding them pigs. I… by Dave Tompkins | Nov, 2018

Track 22 – “Somebody Else’s World” by Sun Ra & His Arkestra FEAT. June Tyson  Sun Ra—master jazz pianist, composer, visionary, and astral traveler—is why many jazz listeners entered the Space Age before there was a Space Age. And June Tyson gives vibrational… by Harmony Holiday | Nov, 2018

A Points South essay from our North Carolina Music Issue. “Reina de mis . . . Reina de mis . . .” And it struck me suddenly, as I stared down at my notebook at my messy handwriting, how without… by Lina María Ferreira Cabeza-Vanegas | Nov, 2018

Notes on the songs from our 20th Southern Music Issue Sampler featuring North Carolina. The profiles, eulogies, and essays herein boast of remarkable achievements of North Carolina’s musicians across eras and genres: from unassailable legends (High Point’s John Coltrane, Tryon’s… by Oxford American | Nov, 2018

Holly Gleason

Holly Gleason’s writing has appeared in Rolling Stone, Spin, and Musician. She lives in Nashville.

November 28, 2012

An essay from the Louisiana music issue.

When I was fifteen, my brother brought home an album by Lightnin’ Hopkins. I got real turned around by that. I took that record and a guitar up to my room. A month later, I came downstairs into the living room and played “Baby Please Don’t Go,” played it for the family. They didn’t say anything, and that’s it. I played from the time I heard that album. It was something I couldn’t stop thinking about. I had no choice.

March 22, 2017

Before the “outlaws” were a movement, I knew Kristofferson was trouble but honorable in his insurrection.

July 16, 2013

When I got the news I pulled off I-65 North and nosed into the Spalding University Library. En route from Nashville to Cleveland, it felt like someone had punched me in the stomach. Chet Flippo—the storied Rolling Stone editor who’d gone toe-to-toe with Mick Jagger, smoked cigars with Uma Thurman, helped land Willie Nelson dressed as Uncle Sam on the cover of the magazine, igniting my pre-teen imagination—had died.

January 22, 2014

Matraca Berg has written hits for Patty Loveless, Trisha Yearwood, Martina McBride, and Deana Carter. Now, the Nashville Songwriters Hall of Fame inductee is taking her own turn in the spotlight.