An introduction to the Music Issue’s Icons Section Beyond my eye, beyond the death and decay of matters left behind and unsettled, the music ringing up above my head told a thousand stories of bounty and belonging, and it glimmered…by
Danielle A. Jackson |
Nov, 2020
A poem from the Greatest Hits Music Issue Oh, oh, baby: the door opened making new, irregular / air, startled into the shape of Texas. Blood behind each syllable, / as if my body recognized touch & pulse before a hand /…by
Iliana Rocha |
Nov, 2020
An essay from the Greatest Hits Music Issue If my dad’s career trajectory seemed unlikely, that paled in comparison to the odds of such a thing occurring at all in a small dry county in the Bible Belt. That so…by
Patterson Hood |
Nov, 2020
An essay from the Greatest Hits Music Issue The first songs that I listened to by Talibah Safiya had this soft, sweet, plaintive quality. There is something else underneath if you listen a bit closer: a little loneliness. The knowledge…by
Jamey Hatley |
Nov, 2020
Originally published in our 1993 Music Issue Long before any R.E.M. albums went gold or platinum, the band’s omnipresence on the college scene made them as much an oppressive force in bookworm circles as the “mainstream” music they were supposed…by
Elizabeth Wurtzel |
Nov, 2020
Originally published in our 2001 Music Issue “One night we were at the house getting ready to go to a concert later that evening, and it was just pouring down with rain, and thunder was cracking,” Peebles told the Memphis…by
Andria Lisle |
Nov, 2020
An introduction to the Greatest Hits Music Issue How does the South inform my music? How do I describe the sound that your bare feet make when they pat the cool, packed red dust under them? How do I describe…by
Brittany Howard |
Oct, 2020
Iliana Rocha is the 2019 winner of the Berkshire Prize for a First or Second Book of Poetry for her most recent collection, The Many Deaths of Inocencio Rodriguez, forthcoming from Tupelo Press. Karankawa, her debut, won the 2014 AWP Donald Hall Prize for Poetry.
Oh, oh, baby: the door opened making new, irregular / air, startled into the shape of Texas. Blood behind each syllable, / as if my body recognized touch & pulse before a hand / had ever laid there.