A Points South essay from the South Carolina Music Issue. Myrtle Beach has always capitalized on tourists’ desire to put a soundtrack to their vacations. Long before the days of the megachurch-style country music theaters, like the Carolina Opry and… by Sarah Bryan | Nov, 2019

A Points South essay from the South Carolina Music Issue. All of Bill’s anecdotes about Diz played to this theme: here was a man, a titan of American music, whose genius helped revolutionize jazz in the forties, opening the door… by Maxwell George | Nov, 2019

A feature essay from the South Carolina Music Issue.  The thing that they do, I hesitate to say that you have to be there, but—there is an intimacy and devilment to their live performance, a lift and crash, that has… by David Ramsey | Nov, 2019

Notes on the songs from our 21st Southern Music Issue Sampler featuring South Carolina. It is fitting that this Southern Music Issue (the Oxford American’s twenty-first) devoted to South Carolina should come in 2019, as the nation moves to better… by Oxford American | Nov, 2019

A feature essay from the South Carolina Music Issue.  Outside of his studies, Ron joined, and eventually presided over, the A&T karate club, and still made time to stay sharp on his saxophone. “People talk about born geniuses, but I… by Jon Kirby | Nov, 2019

Track 23 – “Resurrection” (Live) by Benny Starr feat. the FOUR20s   “Resurrection,” the first song on A Water Album, facilitates a kind of reconciliation between the Fitzgerald Wiggins of my youth and the man I aim to be. Seeing others… by Benny Starr | Nov, 2019

Track 5 – “Bad Case of the Blues” by Linda Martell  “Bad Case of the Blues” shouldn’t be compelling, but it is—because of Martell, the way she guides, colors, and shades the song. She infuses it with the dissonance of… by Katie Moulton | Nov, 2019

We would like to hear from you.  The magazine will begin publishing letters to the editor in the fall issue and going forward. If you would like to respond to a story published in the magazine, we welcome your letter. by Oxford American | Jun, 2019

M. Randal O’Wain

M. Randal O’Wain earned his MFA from the University of Iowa’s Nonfiction Writing Program. He is a teaching assistant professor of creative writing at the University of North Carolina at Chapel Hill and serves as a National Endowment of the Arts Writing Fellow at the Beckley Federal Correctional Institution. O’Wain is the author of the short story collection Hallelujah Station and his work has been published in Oxford American, Hotel Amerika, Crazyhorse, and Guernica Magazine. For more information about the author visit randalowain.com.
October 08, 2019

An excerpt from M. Randal O’Wain’s new essay collection Meander Belt.

He smiles when the lock clicks free. I know now the pleasures of pride; I can imagine the sense of accomplishment this sound must have provided my father, a thirty-year-old construction worker—keys mean trust, respect. Keys also mean home and so I follow his hand with suspicion.

July 14, 2015

The year before Paul MacLeod, the owner of Graceland Too, died of natural causes on his porch just two days after he shot and killed a local house painter, I drove my partner, Mesha, down South so that she could experience Paul’s museum firsthand.

December 13, 2013

The evening Jimmy died my father was late picking me up from a Webelos meeting. I sat under a Japanese maple and practiced the square knot, the last knot I needed to master before receiving my Arrow of Light badge. Then I could enter Boy Scouts at ten, instead of eleven. Useful for survival, the square knot works as a binding knot. Good for clamping a wound but not the best for carrying things or securing them.