A feature essay from the Spring 2020 issue. I moved to Texas in 2017 and returned often to Dilley. When I would chat with residents—after a city council meeting, at the nail salon, before a cook-off—they’d ask if I was… by Emily Gogolak | Mar, 2020

A Points South essay from the Spring 2020 issue As sea levels rise, there’s more water than ever coming down the Atchafalaya. Shrimp are being pushed offshore, farther into the Gulf, emptying the bayous that Kermit Duck, Douglas Oleander, and… by Jeanie Riess | Mar, 2020

 A Letter from the Editor, Spring 2020. Over the years, I have come to admire a certain kind of story that the Oxford American, as a quarterly magazine untethered from the demands of a rapid news cycle, is especially well… by Eliza Borné | Mar, 2020

A Points South essay from the South Carolina Music Issue. Lillie’s sound is not readily identifiable as black or white but seems a merger of the two as she effortlessly blends country and blues in a haunting song about family… by Eric Crawford | Nov, 2019

A Points South essay from the South Carolina Music Issue. What I want is to love Southern rock without being implicated in the Old South politics. I want progress but I want it surgical. Take secession and Strom Thurmond, take… by Mark Powell | Nov, 2019

Writers reflect on Charles Portis He was the real thing, but he was modest about it. An awestruck fan meeting him by chance in a Little Rock bar named the Faded Rose gushed at him, praising him as a great… by Oxford American | Feb, 2020

An Omnivore essay from the Spring 2020 issue.  All kinds of rumors followed Mr. Myers around campus, most of which, it turns out, had some basis in fact: that he was a ferocious tennis player who hated to lose; that… by Benjamin Anastas | Mar, 2020

We would like to hear from you.  The magazine will begin publishing letters to the editor in the fall issue and going forward. If you would like to respond to a story published in the magazine, we welcome your letter. by Oxford American | Jun, 2019

William Browning

William Browning is a writer from Mississippi. His work has appeared in Guideposts, Smithsonian, Columbia Journalism Review, and other publications, including Best American Sports Writing. He and his wife, Joy, live in Ellisville.

September 03, 2019

A Points South essay from the Fall 2019 issue

This approach, of stitching different strands of colored yarn through canvas so many times that the individual strings join in a subtle and collective harmony, leads to an image made of rigorous yet soft details. Nothing is exact but everything is defined. The result is a portrait—Miller’s work is almost exclusively portraits—that from across a room is startlingly realistic and that up close, near the strands, can feel alive and uncomfortably intimate, like being so near someone’s personal affairs that fears and failures are sensed.