Gathering Charles Portis’s many contributions to the Oxford American Following the death of the this “least-known great writer,” we’re revisiting his life and work.   by The Editors | Feb, 2020

A Points South essay from the South Carolina Music Issue. Esquerita and Little Richard stayed in touch as friends, collaborators, and rivals until 1986, when Little Richard was inducted into the Rock & Roll Hall of Fame and Esquerita died,… by Baynard Woods | Nov, 2019

A Points South essay from the South Carolina Music Issue. I didn’t even know if I knew how to let go of the pain of my past. It has, after all, made me the woman I am. by Joshunda Sanders | Nov, 2019

A feature essay from the South Carolina Music Issue.  Funk is at once spiritual and pugilistic and reparative and confrontational. It does not demand you apologize for slavery but absconds over the Atlantic with its freedom and hovers over the… by Zandria F. Robinson | Oct, 2019

A feature essay from the South Carolina Music Issue.  The thing that they do, I hesitate to say that you have to be there, but—there is an intimacy and devilment to their live performance, a lift and crash, that has… by David Ramsey | Nov, 2019

Track 9 – “Paradise” by Charlie McAlister It might sound like kitchen-sink music at first, seemingly made with whatever junk was lying around and played by whoever happened to be there. It might seem off, even uncomfortably so. But listen… by Liam Baranauskas | Nov, 2019

Notes on the songs from our 21st Southern Music Issue Sampler featuring South Carolina. It is fitting that this Southern Music Issue (the Oxford American’s twenty-first) devoted to South Carolina should come in 2019, as the nation moves to better… by Oxford American | Nov, 2019

A feature essay from the South Carolina Music Issue.  Outside of his studies, Ron joined, and eventually presided over, the A&T karate club, and still made time to stay sharp on his saxophone. “People talk about born geniuses, but I… by Jon Kirby | Nov, 2019

We would like to hear from you.  The magazine will begin publishing letters to the editor in the fall issue and going forward. If you would like to respond to a story published in the magazine, we welcome your letter. by Oxford American | Jun, 2019

Mark Powell

Mark Powell is the author of six novels, including Firebird, forthcoming in January. He directs the creative writing program at Appalachian State University. He last wrote for the magazine about North Carolina songwriter Malcolm Holcombe.

November 19, 2019

A Points South essay from the South Carolina Music Issue.

What I want is to love Southern rock without being implicated in the Old South politics. I want progress but I want it surgical. Take secession and Strom Thurmond, take Bob Jones and his university, take the racism and the guy wearing the sandwich board, all bad eye and venom, and leave me the Chattooga River, leave me my grandparents on the porch, leave me the fish fries and Ronnie Milsap and the old man at Open Arms Church who played the dobro so lovingly you swore he was cradling his child.

November 20, 2018

Track 11 – “You Don’t Come See Me Anymore” by Malcolm Holcombe

This is the second time I’ve heard him play in the past few months and it’s always the same: nobody knows who Malcolm Holcombe is, except those who do. And those who know really know. You listen to him and you become evangelical about his music, this scarecrow of a man folded over his Martin guitar.