A Points South essay from the South Carolina Music Issue. Myrtle Beach has always capitalized on tourists’ desire to put a soundtrack to their vacations. Long before the days of the megachurch-style country music theaters, like the Carolina Opry and… by Sarah Bryan | Nov, 2019

A Points South essay from the South Carolina Music Issue. All of Bill’s anecdotes about Diz played to this theme: here was a man, a titan of American music, whose genius helped revolutionize jazz in the forties, opening the door… by Maxwell George | Nov, 2019

Notes on the songs from our 21st Southern Music Issue Sampler featuring South Carolina. It is fitting that this Southern Music Issue (the Oxford American’s twenty-first) devoted to South Carolina should come in 2019, as the nation moves to better… by Oxford American | Nov, 2019

A feature essay from the South Carolina Music Issue.  Outside of his studies, Ron joined, and eventually presided over, the A&T karate club, and still made time to stay sharp on his saxophone. “People talk about born geniuses, but I… by Jon Kirby | Nov, 2019

Track 23 – “Resurrection” (Live) by Benny Starr feat. the FOUR20s   “Resurrection,” the first song on A Water Album, facilitates a kind of reconciliation between the Fitzgerald Wiggins of my youth and the man I aim to be. Seeing others… by Benny Starr | Nov, 2019

Track 5 – “Bad Case of the Blues” by Linda Martell  “Bad Case of the Blues” shouldn’t be compelling, but it is—because of Martell, the way she guides, colors, and shades the song. She infuses it with the dissonance of… by Katie Moulton | Nov, 2019

A feature essay from the South Carolina Music Issue.  There’s a high-achieving aptitude to it all, a certain polyglot prodigiousness. He knows how to hack and fuse genres, how to enter and exit. Part of his genius is that he’s… by Lauren Du Graf | Nov, 2019

We would like to hear from you.  The magazine will begin publishing letters to the editor in the fall issue and going forward. If you would like to respond to a story published in the magazine, we welcome your letter. by Oxford American | Jun, 2019

Dave Tompkins

Dave Tompkins's first book is How to Wreck a Nice Beach: The Vocoder from World War II to Hip-Hop, The Machine Speaks. He is currently working on his second book, a natural history of Miami Bass. Born in Charlotte, he lives in New York. He last wrote for the magazine about George Clinton. 
December 11, 2019

A supplement to our South Carolina Music Issue

A rap IT octopus, Matt “DJ Wiz” Jones always kept a spare hand for taking pictures and his photo album from that era is an adhesive historic designation.

November 19, 2019

A Points South essay from the South Carolina Music Issue.

A problem solver, Jones would ultimately get his drums from his mother’s record collection, as her Charles Wright and Isaac Hayes albums began migrating into his room. “There wasn’t enough money for records,” he recalled. “Or I couldn’t find them. So I’d record songs on the radio off the reel-to-reel, and take the reel-to-reel to the party.” There’s a photograph of Jones deejaying the Charleston YMCA wearing pleated baggies and a fade, with a Michelob parked in front of his Akai séance machine.

November 20, 2018

A Points South essay from the North Carolina Music Issue.

Funk can be a sense of place, transmigratory memories filtered through the nose. For George Clinton, the smell of pig shit crosses state lines. “I remember feeding them pigs. I was knee deep in pig shit. Cosmic pig slop. That’s why you make the same face when something smells. Funk tickles the same muscle. That Southern vapor. Up in there with the biscuits and bacon. Your mother cooking with that iron stove, especially on Sunday morning. That was that same good smell that make you frown like you hear that funky blues.”