Malinda Maynor Lowery is a member of the Lumbee Tribe of North Carolina and author of The Lumbee Indians: An American Struggle. She is a professor of history and director of the Center for the Study of the American South at UNC Chapel Hill.
A Points South essay from the Spring 2020 issue
When we weren’t whizzing through intersections, I was trying to read road signs, thinking that their letters, dimly lit by our headlights, would give me some kind of orientation on this ground, relative to other places I knew. The signs were not helpful; this was ground you had to feel to know. I don’t think I could find it again.
A Points South essay from the North Carolina Music Issue.
The songs I heard growing up, sung at family gatherings, and later as I documented music in recordings at Lumbee churches, ring with longing and sometimes nostalgia. They were standard Protestant hymns, Southern gospel tunes, or shape-note classics, straight from the Broadman hymnal or from J. D. Sumner or the Gaither family: “I Feel Like Traveling Home,” “Hard Working Pilgrim,” “I Am His,” dozens more. The talented ones in my family often learned them not by reading the music but playing by ear, molding and adapting the arrangement and harmonies to suit our preference. Not so much the songs themselves, but the way we sing, especially the emphasis on harmony and blend—the need for every person to have a part but no one to stand out—is what demonstrates our togetherness and uniqueness.