A feature essay from the Spring 2020 issue. I moved to Texas in 2017 and returned often to Dilley. When I would chat with residents—after a city council meeting, at the nail salon, before a cook-off—they’d ask if I was… by Emily Gogolak | Mar, 2020

A short story from the Spring 2020 issue I tell him goodbye and go wander around the beauty section in Dillard’s. I find the perfume like what I’m wearing on display and I spray some more on. I find a… by Ashleigh Bryant Phillips | Feb, 2020

A feature essay from the Spring 2020 issue. History is, in part, the memories we choose to protect and reinforce, to ensure their longevity and influence. In Thibodaux’s protected memory, sugarcane has endured, plantations have endured, Confederate heroes have endured—but… by Rosemary Westwood | Mar, 2020

A Points South essay from the Spring 2020 issue When we weren’t whizzing through intersections, I was trying to read road signs, thinking that their letters, dimly lit by our headlights, would give me some kind of orientation on this… by Malinda Maynor Lowery | Mar, 2020

Little Richard, now eighty-two years old, has reportedly been living the last several years in a penthouse suite at the Hilton hotel in downtown Nashville (the Hilton will neither confirm nor deny that they have a guest named Mr. Penniman). I… by David Ramsey | Dec, 2015

A featured short story from the Spring 2020 issue. She stopped short. The dogs would have passed without noticing her, but Seth had to give them a parting yap. In a second they wheeled around and came straight at her,… by Ben Fountain | Mar, 2020

 A Letter from the Editor, Spring 2020. Over the years, I have come to admire a certain kind of story that the Oxford American, as a quarterly magazine untethered from the demands of a rapid news cycle, is especially well… by Eliza Borné | Mar, 2020

We would like to hear from you.  The magazine will begin publishing letters to the editor in the fall issue and going forward. If you would like to respond to a story published in the magazine, we welcome your letter. by Oxford American | Jun, 2019

Elizabeth Nelson

Elizabeth Nelson is a songwriter, journalist, television writer, and civil servant in the field of education policy. Her writing appears in the Washington Post, NPR, the Ringer, Stereogum, and Lawyers, Guns & Money, as well as other places. She fronts the Paranoid Style, a D.C.-based garage-punk band once described by Robert Christgau as “better than anybody else except Sleater-Kinney.”

October 31, 2019

An installment in our weekly series, The By and By. 

This is the most Marvin Gaye sentiment ever. There is no such thing as a fun, cheap fling in the Marvin Gaye universe. There is no hedonistic misbehavior of a random sort that doesn’t yield an awful psychic consequence. There is only this: wheels within wheels, complications, betrayals, and toxic jealousies. And then getting back together. He heard it through the grapevine. But since we’re still friends. This is his foreplay.

September 12, 2019

An installment in our weekly series, The By and By. 

What is it about this malignancy that pulls me like the moon pulls on the tides? Why does he live in my head? Maybe I am a soft touch. Maybe I’m a mark. Like so many women, I can’t resist a half-handsome smart guy with a ready and witty remark. That’s on me. I got hooked on a single song: “I Was in the House When the House Burned Down.” But that was years after 1982.

July 25, 2019

An installment in our weekly series, The By and By. 

They had announced in August of that year that it would be their final outing and Toronto was the final stop on it. I must consider what or who it was they felt they were really saying farewell to on that frigid evening thirty-seven years ago.

May 30, 2019

An installment in our weekly series, The By and By. 

What it all represented to me was a way of living and thinking that seemed astoundingly unconstrained by convention or expectation. Each of these scenes and bands was highly specific, daring, and individual. Most had no chance to reach a mass audience, and hardly fell over themselves trying to amend that state of affairs. For a small, shy, quiet girl with some roiling ideas about art and politics, their examples were a relief and a revelation.

April 09, 2019

An installment in our weekly series, The By and By. 

Understand my irreverence was never situated in disrespect or unkindness. First he was a man and then he was a star and then he was a legend and then he was a caricature and finally an abstraction. This is the life cycle of commodification. By the time I first heard the name we were well into the weeds.

February 21, 2019

An installment in our weekly series, The By and By. 

As for the movie I’m watching, I came to adore it more than I ever expected to. It sent me down a Lou Reed rabbit hole. Transformer and Mick Ronson led to Bolan and Mott and then to glam writ large. For a theater kid with a nascent interest in songwriting, the serotonin fireworks are nearly impossible to describe.

August 14, 2018

In a 2017 interview with Bill Flanagan, Bob Dylan held forth on his views regarding Don McLean’s “American Pie,” a song that I have loathed with an almost inchoate malice since first encountering it as a young child. Dylan didn’t seem like a fan either, and in particular addressed the long-standing conjecture that he himself was the so-called “jester” referred to in McLean’s bloviating marathon.