An installment of Chris Offutt’s Omnivore column, Cooking with Chris.  Every prepper magazine carried an article on water, mainly because there are a lot of overpriced devices out there for gathering, purifying, and transporting it. This gave me a sense of… by Chris Offutt | Feb, 2019

A Points South essay from the Spring 2019 issue My family has laid claim to a variety of nationalities and regional affiliations, yet there are still questions I reflect on from time to time regarding my own claim to my… by Jennifer Ho | Mar, 2019

A feature essay from the Spring 2019 issue. Kris’s threat to leave was a loaded one. No West Virginian makes that decision lightly, and to be the cause of someone’s leaving is a terrible thing. I personally knew the weight… by Mesha Maren | Mar, 2019

On the architecture of white supremacy Let us look again, now, at this beautiful house, read it this time as a series of universally legible signs for white supremacy. You arrive on horseback and wait outside a gate—the first of… by C. Morgan Babst | Mar, 2019

An installment in John T. Edge’s Points South column, Local Fare. Calamity and travel arrest time. They beg focus and feed insights. Tourism has taken on some of the functions that religion once served. Here in America, we have ritualized restaurant… by John T. Edge | Mar, 2019

 A Letter from the Editor, Spring 2019. Though I don’t believe new parents must be homebound, another truth of my current season is that my movements are mostly limited to house and office and places in between. So more than… by Eliza Borné | Mar, 2019

A Points South essay from the Spring 2019 issue Like many other locals, I had never valued the glades. I had never learned to see past the scraggly trees and the rocky fields. A chance Google search one day told… by Rachel Louise Martin | Mar, 2019

An Omnivore essay from the Spring 2019 issue.  Due to his health, Leon Redbone can no longer be interviewed. In a way, he’s become a version of the old-time musicians he so admired, about whom little is known: You can… by Megan Pugh | Mar, 2019

Nastassia Kantorowicz Torres

Nastassia Kantorowicz Torres is a Colombian freelance photographer based between Lille, France, and Bogota, Colombia. Her work is centered on advancing human rights through visual communication. Her focus is on migration, access to safe water and sanitation, and the underlying social bonds of communities. She recently completed a postgraduate certificate in Documentary Practice and Visual Journalism from the International Center of Photography in New York City and is a member of Women Photograph. Kantorowicz Torres has worked on development projects in Colombia and as a humanitarian aid worker with Doctors Without Borders. She has a master’s degree in public affairs from Sciences Po, the Paris Institute of Political Studies.

July 05, 2018

An installment in our weekly series, The By and By.

“Point d’eau” gives viewers an unusual vantage on the difficult and improvisational lives of these migrants by focusing closely, respectfully, on one specific issue, water. A court ruling in June 2017 obliged the city of Calais to provide them with public water access, but there are still approximately “1,300 to 1,500 exiles in northern France who are being denied access to safe drinking water and sanitation services—basic human rights,” says Kantorowicz Torres.