A Points South profile from the Summer 2018 issue There was no telling how long the stoplight at the base of the 8th Street hill would stay green when Grant Taylor began bombing toward it. He was in a low… by Noah Gallagher Shannon | Jun, 2018

An installment in John T. Edge's Points South column, Local Fare. When I began reading and thinking about Dixie Vodka, I didn’t want to gallop toward a conclusion. I aimed to plod, to listen, to map the paper trail of… by John T. Edge | Jun, 2018

Brother Dynamite in reflection Hounded throughout by the Man, busted, shot at, Big Man managed to stay out of the jackpot. It probably helped that he was a quiet cat who played things close. He’s like that nowadays, not particularly keen on… by John O’Connor | Jun, 2018

A short story from the Summer 2018 issue. What could you make of a world where two things were true at the same time? For instance: Ronnie was dead. But also, Ronnie was alive, and striding very quickly through the… by Becky Hagenston | Jun, 2018

A Southern Journey from the Summer 2018 issue.  Pulled by the pale, stout horses, we listened as he told us the history of the paniolo culture in Hawaii. I sat on the wagon’s bench behind my father as he talked.… by Holly Haworth | Jun, 2018

A Points South story from the Summer 2018 issue In our collective memory, this land made it possible to take from so many. Now, I want it to give something back. by Osayi Endolyn | Jun, 2018

A Southern Journey from the Summer 2018 issue.  I am again driving through the moon-flecked summer night, the hot dead bugs against my windshield summer night, the benzene-sulfur-streaked chemical stacks streaming into the gleaming Gulf summer night. It is so damn… by Justin Nobel | Jun, 2018

Reading Florida.  You see one thing when you look at the state from a distance, but if you come closer, dig deeper, you always find something else. This probably has something to do with Disney World, but it also relates… by Sarah Viren | Jun, 2018

 A Letter from the Editor, Summer 2018. Sometimes we go on journeys just for fun, and sometimes we go because we have to, even when it’s hard. In our third annual Southern Journeys summer feature, five writers travel far and… by Eliza Borné | Jun, 2018

Andrew Phelps and Paul Kranzler

Andrew Phelps, born in Mesa, Arizona, lives and works in Salzburg. Works by Andrew Phelps are found in major collections, both public and private, and have been exhibited internationally. Besides his work as a freelance photographer, Phelps works as a curator at the prestigious Fotohof in Salzburg.

Paul Kranzler, born in Austria, studied at the Academy of Fine Arts Leipzig. His work is exhibited and published internationally and is found in important public collections such as the Albertina and the Photographic Collection at the Rupertinum in Vienna. 

May 31, 2018

The Drake Equation explores a unique space in West Virginia—one that overlaps with the “National Radio Quiet Zone,” a 13,000-square-mile area where radio transmissions are heavily limited to allow for the investigation of extraterrestrial life by enormous telescopes and monitoring devices.