An installment in John T. Edge's Points South column, Local Fare. “I do this to investigate complicity and interrogate white supremacy,” Tunde Wey said on a Monday night in October, standing on a chair before a dinner crowd of fifty-plus… by John T. Edge | Mar, 2018

A Writing on Writing essay from the 100th issue. Heroes are no trite matter—people worth looking up to are important at any age. Adult influences wield less power; we come to them more fully formed, with harder edges and less need.… by Tift Merritt | Mar, 2018

A Points South essay from the 100th issue. He used “Niggertown” to make the hearer reconcile the word with the man using it: Lolis Edward Elie, this civil rights lawyer, this man of letters, this collector of fine art and… by Lolis Eric Elie | Mar, 2018

A feature essay from the 100th issue. For Evangelical believers, the most important decision in one’s life—in some ways, the only choice that really matters—occurs abruptly, in the direct presence of God and other people, and then can’t be undone.… by Molly McCully Brown | Mar, 2018

An Omnivore essay from the 100th issue.  In the coming skirmishes over the legitimacy of color photography, the image would take on a great symbolic significance. This minor, inexplicable moment—in which a photographer had pondered a light bulb in the… by Will Stephenson | Mar, 2018

A Points South essay from the 100th issue.  New Orleans loves to celebrate and romanticize its French and Spanish influences. But so much of the city’s culture—the food, the music, the dance, Mardi Gras itself—is indebted to the Caribbean. New… by Laine Kaplan-Levenson | Mar, 2018

A feature essay from the 100th issue. From across the broad and whitecapped Indian River, the Kennedy Space Center looks like two tiny Lego sets in the distant vegetation. The palms here are windswept, the oaks are scrubby. Pelicans bob… by Lauren Groff | Mar, 2018

 A Letter from the Editor, Spring 2018. This issue is packed with other luminaries: Nikki Giovanni, Lolis Eric Elie, and Wendell Berry express the tenderness of our closest relationships. Randall Kenan and Thomas Pierce, contemporary masters of Southern fiction, offer… by Eliza Borné | Mar, 2018

A poem from the Spring 2018 issue. I know we are happy To hold them in our arms      Watching  Them squizzle by Nikki Giovanni | Mar, 2018

Peyton Fulford

Peyton Fulford is a photographer based in Atlanta, Georgia. She received a BFA in Photography from Columbus State University in 2017. Her work focuses on youth subcultures in the Southern region of the United States.

April 24, 2018

Peyton Fulford’s Infinite Tenderness explores notions “of intimacy and identity among the LGBTQ+ community in the American South.” Her images, which often depict young people in pairs or groups, and bodies in intimate poses of flux, suggest the vulnerability inherent in “growing up and identifying oneself.”