A Writing on Writing essay from the 100th issue. Pearl taught me to be a loving teller of the truth. This is the basis for my work as a writer and as a human being. If you are a person… by Tayari Jones | Mar, 2018

A Writing on Writing essay from the 100th issue. I found myself in Jones’s writing. Kentucky. Black. Rural. Woman. I was especially taken with how she drew characters from the oral storytelling tradition and then broadened that form into her… by Crystal Wilkinson | Mar, 2018

A Points South essay from the 100th issue. In chronicling the civil rights movement, one inevitably develops an interest in how racial crimes are remembered in the community where they happened—in the way they gradually turn into folklore—and in Memphis,… by Benjamin Hedin | Mar, 2018

A feature short story from the 100th issue. When the real estate agent first drove us up the gravel driveway, I felt I’d been to this place before. I wasn’t sure at first, for I’d first been there at night.… by Randall Kenan | Mar, 2018

A Points South story from the 100th issue. In public, she wore head wraps so tight they gave her headaches. Nevertheless, at some point, the hissing caused people to stop what they were doing and squint all around, in search… by Tania James | Mar, 2018

A Points South essay from the 100th issue.  “For more than three decades this maddening story of Evers’s murder and the question of Beckwith’s guilt or innocence has been told again and again, in conflicting voices and varying contexts, with… by Alan Huffman | Mar, 2018

A Points South essay from the 100th issue. If the earth is wet enough and acidic enough, the first thing you’ll find when you start digging up a grave is a coffin-shaped halo in the ground. That’s the mark left… by Christopher Cox | Mar, 2018

A Points South story from the 100th issue. First off, let me tell you that if you hold a rat snake in your lap and cup your hand around him and let him move along through your cupped hand you… by Clyde Edgerton | Mar, 2018

A feature essay from the 100th issue. From across the broad and whitecapped Indian River, the Kennedy Space Center looks like two tiny Lego sets in the distant vegetation. The palms here are windswept, the oaks are scrubby. Pelicans bob… by Lauren Groff | Mar, 2018

 A Letter from the Editor, Spring 2018. This issue is packed with other luminaries: Nikki Giovanni, Lolis Eric Elie, and Wendell Berry express the tenderness of our closest relationships. Randall Kenan and Thomas Pierce, contemporary masters of Southern fiction, offer… by Eliza Borné | Mar, 2018

Poems from the Spring 2018 issue. One white anemone,the year’s first flower,saves the world. by Wendell Berry | Mar, 2018

Katherine Yungmee Kim

Katherine Yungmee Kim, a writer and journalist based in Los Angeles, California, was raised in New Jersey and South Korea. She studied English literature at Vassar College, Pomona College, and the University of California–Berkeley before receiving her M.F.A. in fiction from the Writing Division at Columbia University’s School of the Arts. She has been an editor at the Cambodia Daily, the Pacific News Service, and Alternet; a reporter for the Yonhap News Agency; and a contributing editor to the KoreAm Journal. Kim is also the editor of two publications on immigrant youth communities, Izote Vos: A Collection of Salvadoran American Writing and Visual Art and Quietly Torn: A Literary Journal by Young Iu Mien American Women. Her writing has also appeared in such publications as the Far Eastern Economic Review, the San Francisco Chronicle, New York Newsday, and the Chicago Tribune. She is the recipient of the Time Out Grant from Vassar College in 2013, a New America Media Education Fellowship in 2011, and a Columbia University School of the Arts Chair’s Fiction Fellowship in 2002. Most recently, she has been chronicling the history of Koreatown and Korean Americans in Los Angeles; she is the author of Los Angeles’s Koreatown (Arcadia Publishing, 2011) and the creator of a community photo/oral history project, K-Town Is Our Town. Currently, Kim is the communications editor at the Koreatown Youth and Community Center, the nation’s oldest and largest Korean American nonprofit organization.
March 29, 2018

An installment in our weekly series, The By and By.

Severance, Katherine Yungmee Kim’s ongoing exploration of one of the world’s most dangerous geopolitical borders, is a visual “novel” that incorporates text and archival and family photographs to trace a personal and political history of the Korean peninsula’s Demilitarized Zone.