An installment of Chris Offutt’s Omnivore column, Cooking with Chris.  Every prepper magazine carried an article on water, mainly because there are a lot of overpriced devices out there for gathering, purifying, and transporting it. This gave me a sense of… by Chris Offutt | Feb, 2019

A Points South essay from the Spring 2019 issue My family has laid claim to a variety of nationalities and regional affiliations, yet there are still questions I reflect on from time to time regarding my own claim to my… by Jennifer Ho | Mar, 2019

A feature essay from the Spring 2019 issue. Kris’s threat to leave was a loaded one. No West Virginian makes that decision lightly, and to be the cause of someone’s leaving is a terrible thing. I personally knew the weight… by Mesha Maren | Mar, 2019

On the architecture of white supremacy Let us look again, now, at this beautiful house, read it this time as a series of universally legible signs for white supremacy. You arrive on horseback and wait outside a gate—the first of… by C. Morgan Babst | Mar, 2019

An installment in John T. Edge’s Points South column, Local Fare. Calamity and travel arrest time. They beg focus and feed insights. Tourism has taken on some of the functions that religion once served. Here in America, we have ritualized restaurant… by John T. Edge | Mar, 2019

 A Letter from the Editor, Spring 2019. Though I don’t believe new parents must be homebound, another truth of my current season is that my movements are mostly limited to house and office and places in between. So more than… by Eliza Borné | Mar, 2019

A Points South essay from the Spring 2019 issue Like many other locals, I had never valued the glades. I had never learned to see past the scraggly trees and the rocky fields. A chance Google search one day told… by Rachel Louise Martin | Mar, 2019

An Omnivore essay from the Spring 2019 issue.  Due to his health, Leon Redbone can no longer be interviewed. In a way, he’s become a version of the old-time musicians he so admired, about whom little is known: You can… by Megan Pugh | Mar, 2019

Katherine Yungmee Kim

Katherine Yungmee Kim, a writer and journalist based in Los Angeles, California, was raised in New Jersey and South Korea. She studied English literature at Vassar College, Pomona College, and the University of California–Berkeley before receiving her M.F.A. in fiction from the Writing Division at Columbia University’s School of the Arts. She has been an editor at the Cambodia Daily, the Pacific News Service, and Alternet; a reporter for the Yonhap News Agency; and a contributing editor to the KoreAm Journal. Kim is also the editor of two publications on immigrant youth communities, Izote Vos: A Collection of Salvadoran American Writing and Visual Art and Quietly Torn: A Literary Journal by Young Iu Mien American Women. Her writing has also appeared in such publications as the Far Eastern Economic Review, the San Francisco Chronicle, New York Newsday, and the Chicago Tribune. She is the recipient of the Time Out Grant from Vassar College in 2013, a New America Media Education Fellowship in 2011, and a Columbia University School of the Arts Chair’s Fiction Fellowship in 2002. Most recently, she has been chronicling the history of Koreatown and Korean Americans in Los Angeles; she is the author of Los Angeles’s Koreatown (Arcadia Publishing, 2011) and the creator of a community photo/oral history project, K-Town Is Our Town. Currently, Kim is the communications editor at the Koreatown Youth and Community Center, the nation’s oldest and largest Korean American nonprofit organization.
March 29, 2018

An installment in our weekly series, The By and By.

Severance, Katherine Yungmee Kim’s ongoing exploration of one of the world’s most dangerous geopolitical borders, is a visual “novel” that incorporates text and archival and family photographs to trace a personal and political history of the Korean peninsula’s Demilitarized Zone.