An installment in John T. Edge’s Points South column, Local Fare. Time at Helen’s raises questions, small and large. Other than great barbecue, and my respect and affection for the woman who owns the restaurant, what calls me to Brownsville?… by John T. Edge | Sep, 2018

A Points South essay from our North Carolina Music Issue. “Reina de mis . . . Reina de mis . . .” And it struck me suddenly, as I stared down at my notebook at my messy handwriting, how without… by Lina María Ferreira Cabeza-Vanegas | Nov, 2018

A Points South essay from the North Carolina Music Issue. The songs I heard growing up, sung at family gatherings, and later as I documented music in recordings at Lumbee churches, ring with longing and sometimes nostalgia. They were standard… by Malinda Maynor Lowery | Nov, 2018

A poem from the North Carolina Music Issue. It’s not what you think, not a back-tease aerosol of a band head-banging to a half-cracked amp nor the flame-decal of a beater revving the gravel lot out back, hungry for a big-tiddied girl… by Nickole Brown | Nov, 2018

Track 1 – “Lights in the Valley” (Live) by Joe & Odell Thompson  They were part of a dying tradition: musicians from the community playing functional music for social dances, not to make a living but because that’s simply what… by Rhiannon Giddens | Nov, 2018

A Points South essay from the North Carolina Music Issue. As deeply in love as I was with blaring guitars, exploding amps, and metallic raving, I’d also been listening to James Taylor’s more intimate style of music since his first… by Will Blythe | Nov, 2018

Notes on the songs from our 20th Southern Music Issue Sampler featuring North Carolina. The profiles, eulogies, and essays herein boast of remarkable achievements of North Carolina’s musicians across eras and genres: from unassailable legends (High Point’s John Coltrane, Tryon’s… by Oxford American | Nov, 2018

A feature essay from the Fall 2018 issue. Prine radiates a sense of well-being, along with a sort of amused nonchalance toward potential disaster. This is a good thing, because the Coupe, as it turns out, has no passenger-side safety… by Tom Piazza | Oct, 2018

Morgan Ashcom

Morgan Ashcom received his BFA from George Mason University and MFA from the University of Hartford. His work has won numerous awards, including Center’s Choice Awards, the Lenscratch Editor’s Choice Award 2014, and the Center for Photography at Woodstock’s Photography Now Purchase Prize. Ashcom has been an artist in residence at Light Work and has taught photography at Western Connecticut State University, Ithaca College, University of Hartford and Cornell University. He is based in Charlottesville, Virginia. Previous books include Leviathan (2015).

February 15, 2018

The photographs in Morgan Ashcom’s What the Living Carry are situated in the fictional Southern town of Hoys Fork, a community inspired by the rural Virginia landscape of Ashcom’s childhood and by William Faulkner’s Yoknapatawpha County.