A Points South essay from the North Carolina Music Issue. Shortly after publishing the biography John Coltrane: His Life and Music, Lewis Porter received a letter from a man who identified himself as a Coltrane. Only not, presumably, one related… by Benjamin Hedin | Nov, 2018

A Points South essay from the North Carolina Music Issue. I heard voices down the hall and followed them into the recording room, where I found Soul Council producer Kash talking with Tia Watlington, Jamla’s director of product management, and… by Dasan Ahanu | Nov, 2018

A Points South essay from the North Carolina Music Issue. I first heard Wesley Johnson’s name in 2008 while speaking with Carlotta Fleming (née Samuels) about her vocal group, Odyssey 5. After recording their lone LP, First Time Around, for… by Jon Kirby | Nov, 2018

A Points South essay from the North Carolina Music Issue. In Ryan Adams, the mythic memory of Thomas Wolfe is reincarnate in a contemporary host: an emotional kid from a marginal city in North Carolina with a precocious—underlined—and prolific—triple underlined—talent… by Maxwell George | Nov, 2018

A feature essay from the North Carolina Music Issue.  I wanted to start with the wild weeds and the creaking wood on the front porch, walking up to Nina Simone’s childhood home in Tryon, North Carolina. I wanted to start… by Tiana Clark | Nov, 2018

A Points South essay from the North Carolina Music Issue. Around the close of the 1950s, if you wanted to hear the beginnings of the funk music that James Brown would soon introduce to the world, you wouldn’t find much… by Sarah Bryan | Nov, 2018

A poem from the North Carolina Music Issue. It rises from dust, rakes in the populace, feeds them fried Twinkies, fried trees if they could put them on a stick and powder them in sugar. Bodies bunch up: the perfumed, the balmy, the whole… by C. L. White | Nov, 2018

A feature essay from the North Carolina Music Issue. Perverse? Yes. Blasphemous? Maybe. But not irreconcilable. To contemplate the meaning of Jodeci is to grasp at the intersection of religion and excess, of devotion and abandon, of agape and eros—a… by Lauren Du Graf | Nov, 2018

A Points South essay from the North Carolina Music Issue. Funk can be a sense of place, transmigratory memories filtered through the nose. For George Clinton, the smell of pig shit crosses state lines. “I remember feeding them pigs. I… by Dave Tompkins | Nov, 2018

Notes on the songs from our 20th Southern Music Issue Sampler featuring North Carolina. The profiles, eulogies, and essays herein boast of remarkable achievements of North Carolina’s musicians across eras and genres: from unassailable legends (High Point’s John Coltrane, Tryon’s… by Oxford American | Nov, 2018

Lauren Pond

Lauren Pond is an award-winning documentary photographer who specializes in faith and religion. Based in Columbus, Ohio, she is also a multimedia content producer for the Center for the Study of Religion at the Ohio State University and manager of Fresh A.I.R. Gallery. Pond received B.S. and B.A. degrees from Northwestern University in 2009 and an M.A. degree from Ohio University in 2014. Her photographs have been displayed in solo and group exhibitions throughout the United States and in Australia. Pond has also spoken extensively about her work at universities and conferences across the United States. For more information about Lauren’s work, visit her website.

November 22, 2017

An installment in our weekly series, The By and By.

Stories of sin and salvation are plentiful in serpent handling communities, and over the years, I’ve heard dozens of tales of Signs Followers backsliding into different vices and leaving church, only to repent later and rejoin the congregation.