A Points South essay from the Fall 2019 issue We all hear them, nearly two thousand young women making a joyful noise and heading this way in a ritual officially known as “Bid Day,” but called “Squeal Day” by pretty… by Diane Roberts | Sep, 2019

 A Letter from the Editor, Fall 2019. As a nonprofit, independent publication, the OA exists in an undefined space between literary journal and glossy general-interest magazine. We can embrace the best of both traditions as we see fit: publishing multi-page… by Eliza Borné | Sep, 2019

Male romantic friendships in art and life Everything about my reading and living felt belated. I’d missed by one hundred fifty years the cultural context that somehow explained my intimacy with Luke Henry better than I could, and my education… by Logan Scherer | Sep, 2019

A Points South essay from the Summer 2019 issue I have wanted to visit this house for years. Like many North Carolina kids, I grew up with the broad strokes of Thomas Wolfe’s story, the prolific, small-town genius who became… by Stephanie Powell Watts | Jun, 2019

A Points South essay from the Summer 2019 issue In 2007, the fossil remains of a severely disabled prehistoric man were uncovered in what is now Vietnam. The skeleton revealed the fused vertebrae and weak bones characteristic of a congenital disease… by Margaret Renkl | Jun, 2019

A Southern Journey from the Summer 2019 issue.  He began the letter by asking Larry to cremate him and scatter his ashes next to his second wife’s ashes at Johnson Beach in Perdido Key, Florida, “approximately 75 yards from end… by Britta Lokting | Jun, 2019

A featured short story from the Summer 2019 issue. You’ve always wished your mother, who is so deft with the cards, would learn to read fortunes. You want her to tell your future, holding nothing back. You want all of… by Anne Guidry | Jun, 2019

We would like to hear from you.  The magazine will begin publishing letters to the editor in the fall issue and going forward. If you would like to respond to a story published in the magazine, we welcome your letter. by Oxford American | Jun, 2019

Brandon Thibodeaux

Brandon Thibodeaux is a member of the New York-based photography collective MJR. His career in photography began at a small daily newspaper while studying photography at Lamar University in Beaumont, Texas under Keith Carter. He holds a Bachelor of Arts in Photojournalism from the University of North Texas with a specialization in International Development. He currently resides in Dallas, where he works for clients like Shell Oil International, Smithsonian Magazine, Mother Jones, Monocle, FT Weekend Magazine, the New York Times, and the Wall Street Journal, among others, and is also a guest instructor with the Maine Media Workshops.

His work in the Mississippi Delta entitled When Morning Comes has been recognized by American Photo Magazine, PDN, New York Times Lens Blog, Time.com, and is internationally exhibited in galleries and museums. In 2009 he joined the ranks of the Getty Reportage Emerging Talent. In 2012 the Oxford American listed him as one of their 100 Under 100 New Superstars of Southern Art, and in 2013 his work in the Mississippi Delta was awarded the Critical Mass Top 50 Solo Show Award. He is the 2014 Michael P. Smith Fund for Documentary Photography recipient and 2016 Palm Springs Portfolio Review Prize winner.

September 25, 2017

In That Land of Perfect Day is the culmination of Brandon Thibodeaux’s eight-year long residency in the towns of the northern Mississippi Delta, including the United States’ oldest completely African-American municipality, Mound Bayou.