An essay from the Place Issue When the locals are asked about the island’s history, they talk of pirates and Victorian-era seaside resorts, of fish, oaks, and oleander trees, and of storms and disappearing land. They never talk about surfers. by Kerry Rose Graning | Aug, 2020

An essay from the Place Issue There was a time when I would have given anything for this quiet space to reflect. As it is, I’m tired of thinking about God, and maybe the reason I can’t figure out how… by Jamie Quatro | Aug, 2020

A Points South essay from the Place Issue When I learned of El Refugio, I made a pledge to visit one day. Five years later, I made good on it. I thought of the stories inside of Stewart like a… by André Gallant | Aug, 2020

A poem from the Place Issue Symptoms include an inability / to admit to oneself, let alone some chimeric / Crip, or Capulet, our deepest fear is not / that we are inherently adversarial. Though, / perhaps, it should be. by Marcus Wicker | Aug, 2020

A featured short story from the Summer/Fall 2020 issue. We thought it was the hysterics, him saying over and over again that he couldn’t see, he couldn’t see. Momma was there and rocked over him and prayed the best she… by Halle Hill | Aug, 2020

 A Letter from the Editor, Place Issue. A tiresome stereotype about the American South is that this place is a monolith. Growing up in Arkansas, with the two sides of my family living in different regions of the state, I… by Eliza Borné | Jul, 2020

A feature essay from the Summer/Fall 2020 issue. Most people think of human trafficking as involving sex work, but trafficking occurs across a variety of industries, and migrants are as often coerced by threats of lawsuits and debt bondage as… by Rachel Mabe | Aug, 2020

An Omnivore essay from the Summer/Fall 2020 issue. Photographer Maury Gortemiller explores moments similar to this one in his series Do the Priest in Different Voices. I was startled to find my strange memories of this time reflected within his… by Jason Bruner | Aug, 2020

Brandon Thibodeaux

Brandon Thibodeaux is a member of the New York-based photography collective MJR. His career in photography began at a small daily newspaper while studying photography at Lamar University in Beaumont, Texas under Keith Carter. He holds a Bachelor of Arts in Photojournalism from the University of North Texas with a specialization in International Development. He currently resides in Dallas, where he works for clients like Shell Oil International, Smithsonian Magazine, Mother Jones, Monocle, FT Weekend Magazine, the New York Times, and the Wall Street Journal, among others, and is also a guest instructor with the Maine Media Workshops.

His work in the Mississippi Delta entitled When Morning Comes has been recognized by American Photo Magazine, PDN, New York Times Lens Blog, Time.com, and is internationally exhibited in galleries and museums. In 2009 he joined the ranks of the Getty Reportage Emerging Talent. In 2012 the Oxford American listed him as one of their 100 Under 100 New Superstars of Southern Art, and in 2013 his work in the Mississippi Delta was awarded the Critical Mass Top 50 Solo Show Award. He is the 2014 Michael P. Smith Fund for Documentary Photography recipient and 2016 Palm Springs Portfolio Review Prize winner.

September 25, 2017

In That Land of Perfect Day is the culmination of Brandon Thibodeaux’s eight-year long residency in the towns of the northern Mississippi Delta, including the United States’ oldest completely African-American municipality, Mound Bayou.