NASA astronaut Ronald McNair is the cover star of the 21st Annual Southern Music Issue & Sampler featuring South Carolina! by Oxford American | Nov, 2019

A graphic story from the Fall 2019 issue.  Like many cities, Little Rock is a place of ghosts. The dead hover and haunt, though their stories often go untold. This story is a work of fiction inspired by some of… by Van Jensen & Nate Powell | Sep, 2019

A Points South essay from the Fall 2019 issue This approach, of stitching different strands of colored yarn through canvas so many times that the individual strings join in a subtle and collective harmony, leads to an image made of… by William Browning | Sep, 2019

A selection of short stories in the Fall 2019 issue He had witnessed her appearance a few minutes earlier. Instantly he had known, from the way her pieces sifted together, that she was a ghost, though he had never seen… by Kevin Brockmeier | Sep, 2019

The pieces of Johnny Greene, an Omnivore essay from the Fall 2019 issue. Johnny used place as a recurrent theme, along with displacement. As a journalist, he was fascinated by communities, by groups of people and the environments which shaped… by James K. Williamson | Sep, 2019

 A Letter from the Editor, Fall 2019. As a nonprofit, independent publication, the OA exists in an undefined space between literary journal and glossy general-interest magazine. We can embrace the best of both traditions as we see fit: publishing multi-page… by Eliza Borné | Sep, 2019

A feature short story from the Fall 2019 issue. The godmother is like an ancestor who never really left. Someone who’s here even when they’re not. The godmother is what happens when somebody asks your name and you suddenly can’t… by Selena Anderson | Sep, 2019

A new episode of Points South is now playing!Subscribe today and never miss an episode. Episode Four features the OA editors discussing the upcoming South Carolina Music Issue and sharing their favorite stories and behind-the-scenes moments. Plus: A preview of the issue’s… by Sara A. Lewis | Nov, 2019

We would like to hear from you.  The magazine will begin publishing letters to the editor in the fall issue and going forward. If you would like to respond to a story published in the magazine, we welcome your letter. by Oxford American | Jun, 2019

Alex Harris, Margaret Sartor, and Reynolds Price

Alex Harris is a photographer, writer, and professor of the practice of public policy and documentary studies at Duke University. Harris's photographs are represented in major collections, including the J. Paul Getty Museum in Los Angeles, High Museum of Art in Atlanta, Metropolitan Museum of Art in New York City, North Carolina Museum of Art in Raleigh, and San Francisco Museum of Modern Art. As a photographer and editor, Harris has published seventeen books, most recently, Why We Are Here: Mobile and the Spirit of a Southern City with Edward O. Wilson. For more information about Alex Harris, visit his website.

Margaret Sartor is a writer, photographer, editor, and curator who, for many years, has taught at Duke University. She has published four books, including What Was True: The Photographs and Notebooks of William Gedney, co-edited with Geoff Dyer, and the memoir Miss American Pie: A Diary of Love, Secrets, and Growing Up in the 1970s. Her photographs have been exhibited widely and are in the permanent collections of the Museum of Fine Arts, Houston, North Carolina Museum of Art in Raleigh, and Ogden Museum of Southern Art in New Orleans, among others. For more information about Margaret Sartor, visit her website.

North Carolinian Reynolds Price (1933–2011) authored forty-one acclaimed novels, memoirs, plays, and collections of poetry and essays and was one of America's most notable writers of the past half-century. 

August 17, 2017

An installment in our weekly series, The By and By.

As James Taylor puts it, “These images of our dear friend and native son, Reynolds Price, are precious reminders of a lovely life, fully lived and generously shared with those of us lucky enough to have known him. Every page summons the memory of that indomitable spirit and wry conspiratorial humor. How could he be both compassionate and wicked? It is even good to miss him.”