A poem from the Fall 2018 issue. It is such a tragedy, all this Working. The vacation I need is on your mark, Get set, go. It’s been years Since I’ve seen the light by Alex Lemon | Oct, 2018

A poem from the Fall 2018 issue. The girl born at the edge                   of a copper-colored river returns, prefers her wrists                          … by Sandy Longhorn | Sep, 2018

Notes on the songs from our 20th Southern Music Issue Sampler featuring North Carolina. The profiles, eulogies, and essays herein boast of remarkable achievements of North Carolina’s musicians across eras and genres: from unassailable legends (High Point’s John Coltrane, Tryon’s… by Oxford American | Nov, 2018

Sarah Winchester and the legacy of living with guns  It’s difficult to understate how the repeating rifle revolutionized killing, of both animals and man, as it brought the world from the single-shot muzzle-loaded rifle to a gun that could hold multiple… by Sara A. Lewis | Sep, 2018

A feature essay from the Fall 2018 issue. One morning in the summer of 1996, Damian Hart was standing naked on a pier in the Aegean Sea. The sun was bearing down on Mount Athos, one of several craggy peninsulas… by Nick Tabor | Sep, 2018

A poem from the Fall 2018 issue. None of this surprises you now, does it? I’m not sure I can know that, I responded to myself. Or I think I did. I should have.  A friend told me to embrace my disorientation here, to attend to… by Curtis Bauer | Sep, 2018

A Points South essay from the Fall 2018 issue. The dock at Mountain Lake is everything a dock should be—whitewashed clapboard, punctuated by an airy pavilion with a red roof—but if you jumped off it, all you’d hit is earth.… by Nell Boeschenstein | Sep, 2018

A Points South story from the Fall 2018 issue  In the evenings, after the day’s rain, my grandfather drove through Starke counting cars in the lots of other motels, doing the math and feeling like a winner. For guests visiting… by Scott Korb | Sep, 2018

A feature essay from the Fall 2018 issue. Prine radiates a sense of well-being, along with a sort of amused nonchalance toward potential disaster. This is a good thing, because the Coupe, as it turns out, has no passenger-side safety… by Tom Piazza | Oct, 2018

Kenneth Alexander Campbell and Wesley Hogan

Kenneth Alexander Campbell graduated from North Carolina Central University in May 2017 with a BA in mass communication and a concentration in media studies. A former Communications Fellow for Common Cause NC, he has been an intern and digital media specialist for the Center for Documentary Studies (CDS), including the SNCC Digital Gateway project, since May 2016. In Fall 2017, he will enter the MFA program in the Department of Media, Journalism, and Film in Howard University’s School of Communications. Campbell was the recent recipient of a John Hope Franklin Student Documentary Award from CDS and the Septima Clark Emerging Artist Award from the Charleston Civil Rights Film Fest for his short documentary, Milliennials of the Moral Movement: Prelude.

Wesley Hogan is the director of the Center for Documentary Studies at Duke University, where she teaches the history of youth social movements, African American history, women’s history, and oral history. She is a research professor at the university’s Franklin Humanities Institute and Department of History. Formerly, Hogan taught at Virginia State University, where she codirected the Institute for the Study of Race Relations. Her book on SNCC, Many Minds, One Heart: SNCC’s Dream for a New America (2007), won the Lillian Smith Book Award, among other honors, and she is currently working on a post-1960s history of young people organizing in the spirit of Ella Baker. Since 2013, Hogan has co-facilitated a partnership between the SNCC Legacy Project and Duke University, culminating in the recent full launch of the SNCC Digital Gateway, whose purpose is to bring the grassroots stories of the civil rights movement to a much wider public.

July 19, 2017

An installment in our weekly series, The By and By.

I cannot tell you how exciting it is to see this surge of young people saying, “We’re pretty clear on what our values are. We’re pretty clear on what we want our futures to look like, and here are some ways we’re getting there. And we’re not asking permission. We’re just doing it.”