An essay from the Place Issue My dad wanted his death, like his life, to be a work of art—a tomb he designed and filled with ceramics—and one that would allow him to define death on his own terms. My… by Alice Driver | Aug, 2020

An essay from the Place Issue The quest was half-ironic, but I was hoping at the same time to feel something I couldn’t make fun of. If a revelation from the Earth manifested inside my body, well, that would mean… by Liam Baranauskas | Aug, 2020

An essay from the Place Issue This congregation is the only one in eastern Alabama and was born out of a potluck dinner for Rosh Hashanah in the early ’80s when a local couple invited four friends over, telling them… by Carly Berlin | Aug, 2020

An essay from the Place Issue When the locals are asked about the island’s history, they talk of pirates and Victorian-era seaside resorts, of fish, oaks, and oleander trees, and of storms and disappearing land. They never talk about surfers. by Kerry Rose Graning | Aug, 2020

A feature essay from the Summer/Fall 2020 issue. This is how so many black families lose their land. One person wants to sell and starts an action that can force a sale. And if a developer wants the land, he… by Rosalind Bentley | Aug, 2020

A Points South essay from the Place Issue When I learned of El Refugio, I made a pledge to visit one day. Five years later, I made good on it. I thought of the stories inside of Stewart like a… by André Gallant | Aug, 2020

An Omnivore essay from the Summer/Fall 2020 issue. Johns has said that, even as a child, he wanted to be an artist—only he didn’t know what an artist was. “In the place where I was a child, there were no… by Baynard Woods | Aug, 2020

 A Letter from the Editor, Place Issue. A tiresome stereotype about the American South is that this place is a monolith. Growing up in Arkansas, with the two sides of my family living in different regions of the state, I… by Eliza Borné | Jul, 2020

Phyllis B. Dooney and Jardine Libaire

Phyllis B. Dooney is a documentary photographer and visual storyteller. Her work has appeared in the New York Times Magazine, the Atlantic, the Washington Post, and elsewhere online and in print. Dooney was awarded Center’s Editor’s Choice Prize in 2015. This work will be on view at the Lightfield Festival in Hudson, New York in Summer 2017.

Jardine Libaire’s most recent novel, White Fur, was published by Hogarth in May 2017. She is a recipient of the Hopwood Award and the Glascock Poetry Prize.

July 17, 2017

Featuring photographs by Phyllis B. Dooney and documentary poems by Jardine Libaire, Gravity Is Stronger Here documents five years in the lives of one dynamic family living in Greenville, Mississippi.