A graphic story from the Fall 2019 issue.  Like many cities, Little Rock is a place of ghosts. The dead hover and haunt, though their stories often go untold. This story is a work of fiction inspired by some of… by Van Jensen & Nate Powell | Sep, 2019

NASA astronaut Ronald McNair is the cover star of the 21st Annual Southern Music Issue & Sampler featuring South Carolina! by Oxford American | Nov, 2019

A Points South essay from the Fall 2019 issue This approach, of stitching different strands of colored yarn through canvas so many times that the individual strings join in a subtle and collective harmony, leads to an image made of… by William Browning | Sep, 2019

A selection of short stories in the Fall 2019 issue He had witnessed her appearance a few minutes earlier. Instantly he had known, from the way her pieces sifted together, that she was a ghost, though he had never seen… by Kevin Brockmeier | Sep, 2019

The pieces of Johnny Greene, an Omnivore essay from the Fall 2019 issue. Johnny used place as a recurrent theme, along with displacement. As a journalist, he was fascinated by communities, by groups of people and the environments which shaped… by James K. Williamson | Sep, 2019

 A Letter from the Editor, Fall 2019. As a nonprofit, independent publication, the OA exists in an undefined space between literary journal and glossy general-interest magazine. We can embrace the best of both traditions as we see fit: publishing multi-page… by Eliza Borné | Sep, 2019

A feature short story from the Fall 2019 issue. The godmother is like an ancestor who never really left. Someone who’s here even when they’re not. The godmother is what happens when somebody asks your name and you suddenly can’t… by Selena Anderson | Sep, 2019

A new episode of Points South is now playing!Subscribe today and never miss an episode. Episode Three features Arkansas’s “cemetery angel,” Ruth Coker Burks, John Jeremiah Sullivan’s “Three Encounters” + a performance by Los Texmaniacs. For more information visit oxfordamerican.org/pointssouth. by Sara A. Lewis | Oct, 2019

We would like to hear from you.  The magazine will begin publishing letters to the editor in the fall issue and going forward. If you would like to respond to a story published in the magazine, we welcome your letter. by Oxford American | Jun, 2019

C. Morgan Babst

C. Morgan Babst lives with her family in New Orleans. Her debut novel, The Floating World, was named one of the best books of 2017 by Amazon, Kirkus Reviews, Southern Living, and the Dallas Morning News.

March 01, 2019

On the architecture of white supremacy

Let us look again, now, at this beautiful house, read it this time as a series of universally legible signs for white supremacy. You arrive on horseback and wait outside a gate—the first of several barriers, both physical and human, that must be passed through to reach the master—and enter onto a private road that takes you through a cathedral-like apse of oaks, arranged to express the planter’s dominion over the natural world. From this road, you do not see the functional buildings—kitchen, smithy, stables—nor the quarters for the people the planter enslaves; those are small, unpainted, off to the side. The planter’s house stands alone at the end of this archway of boughs, a telos and a temple. Great white columns rise two stories from their plinths, supporting a pediment that drags its tip against the sky. It looks for all the world like a Roman temple. And who lives in temples but the gods?

 

June 06, 2017

On the morning of August 28, 2005, I evacuated New Orleans with my parents, less than twenty-four hours before Katrina came ashore, driving fourteen-foot storm tides ahead of it. We spent hours on the five-mile bridge over Lake Pontchartrain, watching Lawrence of Arabia in the back seat while waterspouts spun beyond our windows. When I woke up the next morning in Nashville, a newscaster in a dry poncho was standing near the Superdome; she talked only of wind damage.