A Points South essay from the Summer 2019 issue I have wanted to visit this house for years. Like many North Carolina kids, I grew up with the broad strokes of Thomas Wolfe’s story, the prolific, small-town genius who became… by Stephanie Powell Watts | Jun, 2019

Thomas Jefferson, Pharrell, and more notes on the state of Virginia  Now, when strangers ask me where I’m from, I say, “Virginia Beach. We gave the world Pharrell. You’re welcome.” Pharrell was the black cosmopolitan force that proved my home… by Mychal Denzel Smith | Jun, 2019

Zora Neale Hurston’s lessons in writing a love story At one point, sitting in the Beinecke Library, I closed my eyes and let my fingers fall on random sentences of Hurston’s masterwork. Word for word, sentence for sentence, Their Eyes… by Regina Porter | Jun, 2019

A poem from the Summer 2019 issue. Here it is iftar and I forgot to eat I’m banqueting on a spice that’s not on this table by Mohja Kahf | Jun, 2019

We would like to hear from you.  The magazine will begin publishing letters to the editor in the fall issue and going forward. If you would like to respond to a story published in the magazine, we welcome your letter. by Oxford American | Jun, 2019

A Southern Journey from the Summer 2019 issue.  Today we think of the fight for educational equality as being a national story, one involving a progressive Supreme Court, a reluctant president, and a recalcitrant governor in Arkansas, but the struggle… by Rachel Louise Martin | Jul, 2019

 A Letter from the Editor, Summer 2019. At the Oxford American, we receive many pitches for stories in the category of “pilgrimages,” or “literary road trips,” or “retracing X’s steps.” I understand the appeal: the traveler can see with her… by Eliza Borné | Jun, 2019

A Southern Journey from the Summer 2019 issue.  I am angry. I am sad. I cry. I shout. I don’t understand. I am good about not expressing any of it with the van, especially when I have my daughters with… by Duncan Murrell | Jun, 2019

An installment in John T. Edge’s Points South column, Local Fare. Costumes transform their bar into a theatrical production, Feizal said to me that day in the jungle room. “You watch someone put on a Big Bird suit and then… by John T. Edge | Jun, 2019

Abbie Gascho Landis

Abbie Gascho Landis lives on a farm with her husband, an environmental scientist, and two children, in Cobleskill, New York, where she is a veterinarian and writer. Her work has been published in Pinchpenny Press, Full Grown People, and Paste Magazine; her new book is Immersion: The Science and Mystery of Freshwater Mussels (Island Press, 2017). Landis is the recipient of a Documentary Essay Prize from the Center for Documentary Studies at Duke University and an Arthur DeLong Writing Award; she was a finalist for the Constance Rooke Creative Nonfiction Award in 2013. Landis has a bachelor’s degree in English and biology from Goshen College and a doctorate in veterinary medicine from Ohio State University. Read her blog at thedigandflow.com.

May 10, 2017

An installment in our weekly story series, The By and By.

Freshwater mussels live mostly buried. Their shell edges are parted like a surprised gasp, exposing two apertures. One intakes and the other releases water, which is how mussels eat, breathe, and even gather sperm to meet their eggs. Those apertures actually look like Georgia O’Keefe paintings—flower, female anatomy—elegant ovals decorated with variously shaped and colored papillae. Apertures, papillae, curve of a shell.