Playlists curated by your favorite musicians and writers. by Brittany Howard, Kiese Laymon, Rosanne Cash, Kelsey Waldon, & others | Nov, 2020

An introduction to the Music Issue’s Icons Section Beyond my eye, beyond the death and decay of matters left behind and unsettled, the music ringing up above my head told a thousand stories of bounty and belonging, and it glimmered… by Danielle A. Jackson | Nov, 2020

An essay from the Greatest Hits Music Issue She traveled the world and left it scorched with her fearlessness and musical originality, inspired fierce devotion from an audience who thrilled to her enormous gifts and her personal excesses, and shook… by Rosanne Cash | Nov, 2020

Originally published in our Georgia Music Issue Grandmama’s stank was root and residue of black Southern poverty, and devalued black Southern labor, black Southern excellence, black Southern imagination, and black Southern woman magic. This was the stank from whence black… by Kiese Laymon | Nov, 2020

An essay from the Greatest Hits Music Issue Great Black music is that which isn’t trying to impress or entreat or even necessarily communicate with a white audience—or any audience. Instead, great Black music works to retrieve what Rahsaan Roland… by Harmony Holiday | Nov, 2020

Poachers are among a small group that have actually seen the flytrap in the wild, and Officer Gorchess thinks they know what they’re talking about. “The guys who actually take them probably know more about flytraps than ninety-nine percent of… by Joe Purtell. Photographs by Nina Riggio | Nov, 2020

An essay from the Greatest Hits Music Issue There was a moment in 1958 when the future of jazz took an extraordinary turn that would be imperceptible to the world for another quarter century. That’s when Ellis Marsalis Jr., freshly… by Gwen Thompkins | Nov, 2020

An introduction to the Greatest Hits Music Issue How does the South inform my music? How do I describe the sound that your bare feet make when they pat the cool, packed red dust under them? How do I describe… by Brittany Howard | Oct, 2020

Jacob Rosenberg

Jacob Rosenberg is a reporter from Greensboro, North Carolina. He has written for the Guardian, Mother Jones, and the Arkansas Times, among other publications.

June 11, 2019

A Points South essay from the Summer 2019 issue

As an evangelist, I have showed “Miracles” to many people by lying about what it’s actually about. Generally, I describe it as a sort of joke, a curiosity. I don’t tell folks that when I first heard Frierson sing about being “only human” I was lonely and confused, and I listened to it so much that the music morphed into a personal manifesto about redemption, as if he had boiled down the obsessive and impossible task of purity into a formula. On first listen, how I feel about “Miracles” would seem ridiculous. 

July 18, 2017

A conversation with South Carolina-born comedian Rory Scovel.

When I’m onstage and there’s an audience there, I don’t know if it’s because your back is sort of against the wall in that moment to deliver, whatever reason it is, it somehow works, it somehow pops right. Specifically, that Southern guy character that I do. I even joke that I know that guy better than myself.

March 31, 2017

A conversation with the Georgia-bred, North Carolina-based singer and guitarist Jake Xerxes Fussell.

“It’s hard to say what a song is after a while, it’s been through so many lives and incarnations. Is it a gospel song? Is it a nursery rhyme? I don’t know. Alan Lomax talked about that, about how songs had these lives over many generations. There’s a lot of stuff that’s both and neither at the same time. I think this might be one of those songs.”