An installment of Chris Offutt’s Omnivore column, Cooking with Chris.  Big Bad Breakfast’s official slogan is “Lard have Mercy,” and I own one of their souvenir t-shirts. Recently I began to consider the words more carefully. Could it be sacrilegious? How… by Chris Offutt | Sep, 2018

A poem from the Fall 2018 issue. It is such a tragedy, all this Working. The vacation I need is on your mark, Get set, go. It’s been years Since I’ve seen the light by Alex Lemon | Oct, 2018

A Points South essay from the Fall 2018 issue My suitcase is full of batik and baby cologne. One bar emulates the American South. The cover band plays Journey. by Helene Achanzar | Sep, 2018

A poem from the Fall 2018 issue. Heading east on Route 6, A young couple scutters by On a motorbike. Harley, I think. On their way to the beach. I can See his feet are bare, resting inches From the muffler’s burning heat—oh The recklessness of… by Kate Daniels | Sep, 2018

A feature essay from the Fall 2018 issue. Why was my great-great-grandfather always referred to as “Robert Singleton, the Civil War veteran who lost his leg at Murfreesboro, then went on to become Clerk of the County Court” rather than… by Danielle Chapman | Sep, 2018

 A Letter from the Editor, Fall 2018. I was struck by a phrase written by Jelani Cobb for the New Yorker, which characterized our former president as “a man who grasps history as the living context of our lives.” This… by Eliza Borné | Sep, 2018

A feature essay from the Fall 2018 issue. Prine radiates a sense of well-being, along with a sort of amused nonchalance toward potential disaster. This is a good thing, because the Coupe, as it turns out, has no passenger-side safety… by Tom Piazza | Oct, 2018

A Points South essay from the Fall 2018 issue I've come to have a friendship with a raven in Paris. I call him Cleitus, a name that I picked up from a Dukes of Hazzard episode or Greek mythology. The… by Megan Mayhew Bergman | Sep, 2018

Anne Spencer’s ecosystem of art and activism As I read, I fell in love with Anne Spencer’s fierceness and wit. In some ways, she reminded me of my own grandmother—a voluble woman, gardener, and scrawler of notes on the back… by Tess Taylor | Oct, 2018

Bronwen Dickey

Bronwen Dickey is a contributing editor to the Oxford American and the author of Pit Bull: The Battle over an American Icon. In 2017, she was a finalist for the National Magazine Award in feature writing.
March 13, 2018

A Writing on Writing essay from the 100th issue.

So, I kind of fell backward into writing, not because it came “naturally” or because I wanted to join the family business (in his novel Money, Martin Amis, the son of Kingsley Amis, famously joked, “Oh, sure. It’s just like taking over the family pub”), but because curiosity drove everything I did, and eventually that curiosity won out.

January 31, 2017

A feature from Issue 61, Best of the South” 2008.

Thick strokes of early-evening crimson smeared across the rolling mountains of Rabun County as I drove up Highway 23 from Atlanta toward Clayton. The whole world looked like it was burning up right behind the horizon line. It was the nine-degree, molar-rattling middle of January in North Georgia, and I was on my way to visit the Chattooga River, fifty-seven miles of fierce backcountry water and etched stone where the film of my father’s first novel, Deliverance, was shot in the summer of 1971.