A poem from the Fall 2018 issue. It is such a tragedy, all this Working. The vacation I need is on your mark, Get set, go. It’s been years Since I’ve seen the light by Alex Lemon | Oct, 2018

A poem from the Fall 2018 issue. The girl born at the edge                   of a copper-colored river returns, prefers her wrists                          … by Sandy Longhorn | Sep, 2018

Notes on the songs from our 20th Southern Music Issue Sampler featuring North Carolina. The profiles, eulogies, and essays herein boast of remarkable achievements of North Carolina’s musicians across eras and genres: from unassailable legends (High Point’s John Coltrane, Tryon’s… by Oxford American | Nov, 2018

Sarah Winchester and the legacy of living with guns  It’s difficult to understate how the repeating rifle revolutionized killing, of both animals and man, as it brought the world from the single-shot muzzle-loaded rifle to a gun that could hold multiple… by Sara A. Lewis | Sep, 2018

A feature essay from the Fall 2018 issue. One morning in the summer of 1996, Damian Hart was standing naked on a pier in the Aegean Sea. The sun was bearing down on Mount Athos, one of several craggy peninsulas… by Nick Tabor | Sep, 2018

A poem from the Fall 2018 issue. None of this surprises you now, does it? I’m not sure I can know that, I responded to myself. Or I think I did. I should have.  A friend told me to embrace my disorientation here, to attend to… by Curtis Bauer | Sep, 2018

A Points South essay from the Fall 2018 issue. The dock at Mountain Lake is everything a dock should be—whitewashed clapboard, punctuated by an airy pavilion with a red roof—but if you jumped off it, all you’d hit is earth.… by Nell Boeschenstein | Sep, 2018

A Points South story from the Fall 2018 issue  In the evenings, after the day’s rain, my grandfather drove through Starke counting cars in the lots of other motels, doing the math and feeling like a winner. For guests visiting… by Scott Korb | Sep, 2018

A feature essay from the Fall 2018 issue. Prine radiates a sense of well-being, along with a sort of amused nonchalance toward potential disaster. This is a good thing, because the Coupe, as it turns out, has no passenger-side safety… by Tom Piazza | Oct, 2018

Alex Steyermark and Lavinia Jones Wright

Alex Steyermark’s feature films, Prey for Rock & Roll (2003), One Last Thing…(2006), Losers Take All (2013) and documentary The 78 Project Movie (2014) have been acclaimed at dozens of U.S. and International film festivals including Sundance, Toronto, Tribeca, SXSW and BFI London, and are distributed throughout the world. He is a creator, producer and the director of the ongoing critically acclaimed music documentary web series, The 78 Project, which was an official selection at the inaugural Cannes Cross Media Corner and the British Film Institute's Power to the Pixel Cross Media Forum. He is an adjunct professor in the graduate film program at Columbia University’s School of the Arts, where he is the founder of the ASCAP/Columbia Film Scoring Workshop.

Lavinia Jones Wright is a journalist, actor, filmmaker, and musician. With director Alex Steyermark, she traveled America recording musicians on a 1930s-era 78 rpm disc-cutting machine coproducing, writing for, and appearing in The 78 Project Movie and The 78 Project web series. She currently appears on Showtime’s The Affair. A Philadelphia native, she resides in Brooklyn.

November 21, 2016

The story Bassekou Kouyaté wants to tell is simply this: it was cotton that brought the blues from Mali to America, and it was the ngoni—the West African lute that is a predecessor to the banjo—that brought the songs. Kouyaté would like to make a film about this story—one told, for a change, from an African perspective.