A Points South essay from the Fall 2019 issue We all hear them, nearly two thousand young women making a joyful noise and heading this way in a ritual officially known as “Bid Day,” but called “Squeal Day” by pretty… by Diane Roberts | Sep, 2019

 A Letter from the Editor, Fall 2019. As a nonprofit, independent publication, the OA exists in an undefined space between literary journal and glossy general-interest magazine. We can embrace the best of both traditions as we see fit: publishing multi-page… by Eliza Borné | Sep, 2019

Male romantic friendships in art and life Everything about my reading and living felt belated. I’d missed by one hundred fifty years the cultural context that somehow explained my intimacy with Luke Henry better than I could, and my education… by Logan Scherer | Sep, 2019

A Points South essay from the Summer 2019 issue I have wanted to visit this house for years. Like many North Carolina kids, I grew up with the broad strokes of Thomas Wolfe’s story, the prolific, small-town genius who became… by Stephanie Powell Watts | Jun, 2019

A Points South essay from the Summer 2019 issue In 2007, the fossil remains of a severely disabled prehistoric man were uncovered in what is now Vietnam. The skeleton revealed the fused vertebrae and weak bones characteristic of a congenital disease… by Margaret Renkl | Jun, 2019

A Southern Journey from the Summer 2019 issue.  He began the letter by asking Larry to cremate him and scatter his ashes next to his second wife’s ashes at Johnson Beach in Perdido Key, Florida, “approximately 75 yards from end… by Britta Lokting | Jun, 2019

A featured short story from the Summer 2019 issue. You’ve always wished your mother, who is so deft with the cards, would learn to read fortunes. You want her to tell your future, holding nothing back. You want all of… by Anne Guidry | Jun, 2019

We would like to hear from you.  The magazine will begin publishing letters to the editor in the fall issue and going forward. If you would like to respond to a story published in the magazine, we welcome your letter. by Oxford American | Jun, 2019

Ethan Payne

Ethan Payne is a musician, documentary filmmaker, and photographer living in Atlanta, Georgia. His work has been featured in ArtsATL and the Bitter Southerner, and his “Soundies” series has heralded acts such as Punch Brothers, Chairlift, and Dr. Dog.

July 15, 2019

A video supplement to “Social Engineering” by John T. Edge, published in the Summer 2019 issue.

“Written in tight script on one of those green-and-white guest check pads, her words account a surrealist barnyard: ‘gecko elastic, cookie armpit, giraffe crotch, zebra elastic.’ I had noticed Rachael working on the far end of the bar, pulling costumes from cubbies and then carefully refolding and restacking each one. But I hadn’t realized that she was doing triage, making note of which of the thirty or so costumes they stock needed repair.”

—John T. Edge, “Social Engineering”

April 21, 2019

A video supplement to “Oaxaca Wreck” by John T. Edge, published in the Spring 2019 issue.

“When I moved to Mississippi in 1995, I became a quick regular at Bottletree Bakery, just off the square, across from the church that my family would subsequently join. At that low counter, with a thick china mug in hand, I ate scones pocked with crystallized nuggets of ginger and pored over grad school texts. I befriended the charming misfits and dreamers who poured refills and stared at their shoes and beamed guileless smiles. And then I quit the place. Because I got jaded. Because I got busy.”

—John T. Edge, “Oaxaca Wreck”

January 07, 2019

A video supplement to “Folk Witness” by John T. Edge, published in the Fall 2018 issue.

“Joints and shacks offer witness to the environments where design and operation incongruities . . . often bespeak honesty. The creative responses of that grocery store manager and that breakfast joint operator confirm that humans are at the helm in such spaces, singular and complicated souls capable of responding to circumstance and necessity with brilliance.”

—John T. Edge, “Folk Witness”

August 14, 2018

A video supplement to “Dixie Vodka” by John T. Edge, published in the Summer 2018 issue.

“General Beauregard Dixie Vodka Set to March Across South” announced a September 25, 2013, press release. One hundred and fifty years prior, when P. G. T. Beauregard marched toward Charleston, he fought to preserve the economic system that shackled black Southerners and made possible extraordinary white Lowcountry wealth. This press release raised the question: Why march now?

—John T. Edge, “Dixie Vodka”

March 13, 2018

A video supplement to “The Question of Dinner” by John T. Edge, published in the Spring 2018 issue.

“At the end of a meal, people expect to leave having had a good time. At the end of these dinners, the matrix is different.”

November 03, 2016

A video supplement to “The Harris Hegemony” by John T. Edge, published in the Fall 2016 issue.

“I wish I could tell you that I saw a burning bush or God spoke to me. But the truth is I became increasingly aware of the negative unintended consequences that came from the industrialization, commoditization, and centralization of agriculture.”