A Points South essay from the North Carolina Music Issue. Shortly after publishing the biography John Coltrane: His Life and Music, Lewis Porter received a letter from a man who identified himself as a Coltrane. Only not, presumably, one related… by Benjamin Hedin | Nov, 2018

A Points South essay from the North Carolina Music Issue. I heard voices down the hall and followed them into the recording room, where I found Soul Council producer Kash talking with Tia Watlington, Jamla’s director of product management, and… by Dasan Ahanu | Nov, 2018

A Points South essay from the North Carolina Music Issue. I first heard Wesley Johnson’s name in 2008 while speaking with Carlotta Fleming (née Samuels) about her vocal group, Odyssey 5. After recording their lone LP, First Time Around, for… by Jon Kirby | Nov, 2018

A Points South essay from the North Carolina Music Issue. In Ryan Adams, the mythic memory of Thomas Wolfe is reincarnate in a contemporary host: an emotional kid from a marginal city in North Carolina with a precocious—underlined—and prolific—triple underlined—talent… by Maxwell George | Nov, 2018

A feature essay from the North Carolina Music Issue.  I wanted to start with the wild weeds and the creaking wood on the front porch, walking up to Nina Simone’s childhood home in Tryon, North Carolina. I wanted to start… by Tiana Clark | Nov, 2018

A Points South essay from the North Carolina Music Issue. Around the close of the 1950s, if you wanted to hear the beginnings of the funk music that James Brown would soon introduce to the world, you wouldn’t find much… by Sarah Bryan | Nov, 2018

A poem from the North Carolina Music Issue. It rises from dust, rakes in the populace, feeds them fried Twinkies, fried trees if they could put them on a stick and powder them in sugar. Bodies bunch up: the perfumed, the balmy, the whole… by C. L. White | Nov, 2018

A feature essay from the North Carolina Music Issue. Perverse? Yes. Blasphemous? Maybe. But not irreconcilable. To contemplate the meaning of Jodeci is to grasp at the intersection of religion and excess, of devotion and abandon, of agape and eros—a… by Lauren Du Graf | Nov, 2018

A Points South essay from the North Carolina Music Issue. Funk can be a sense of place, transmigratory memories filtered through the nose. For George Clinton, the smell of pig shit crosses state lines. “I remember feeding them pigs. I… by Dave Tompkins | Nov, 2018

Notes on the songs from our 20th Southern Music Issue Sampler featuring North Carolina. The profiles, eulogies, and essays herein boast of remarkable achievements of North Carolina’s musicians across eras and genres: from unassailable legends (High Point’s John Coltrane, Tryon’s… by Oxford American | Nov, 2018

Benjamin Dimmitt

Benjamin Dimmitt graduated from Eckerd College in St. Petersburg, Florida, and also studied at the International Center of Photography in NYC, the Santa Fe Photographic Workshop in Santa Fe, the Santa Reparata Graphic Arts Centre in Florence, Italy, and the City and Guild Arts School in London, England. He moved to New York City after college and held an adjunct professor position at the International Center of Photography from 2001-2013. He now lives and works in Asheville, North Carolina, and teaches workshops in the Southeast. Benjamin’s photographs have been exhibited at the Museum of Fine Arts, Houston, the School of International Center of Photography, NYC, the American Academy of Arts & Letters, NYC, the Ogden Museum of Southern Art, New Orleans, and the Florida Museum of Photographic Arts. His work is represented by Clayton Galleries in Tampa, and is in the collection of the Museum of Fine Arts, Houston, the American Academy of Arts and Letters, and the Florida Museum of Photographic Arts, among others. Benjamin’s photographs will be included in Asheville’s photo+sphere festival this fall and in a three-person climate change exhibit at the Southeast Museum of Photography next year.
September 05, 2018

Mangrove swamps occupy a vital role in the health of a coastline, particularly under the threat of increasingly powerful storms and rising seas. Inspired by his recollections of mangrove swamps while growing up on Florida’s Gulf Coast, Benjamin Dimmitt decided to revisit the shoreline, paying close attention to the unsuspected beauty and vitality of these resilient organisms.

September 20, 2016

For more than thirty years, photographer Benjamin Dimmitt has visited a fragile spring-fed estuary on Florida’s Gulf coast.