A Points South essay from the Fall 2019 issue We all hear them, nearly two thousand young women making a joyful noise and heading this way in a ritual officially known as “Bid Day,” but called “Squeal Day” by pretty… by Diane Roberts | Sep, 2019

 A Letter from the Editor, Fall 2019. As a nonprofit, independent publication, the OA exists in an undefined space between literary journal and glossy general-interest magazine. We can embrace the best of both traditions as we see fit: publishing multi-page… by Eliza Borné | Sep, 2019

Male romantic friendships in art and life Everything about my reading and living felt belated. I’d missed by one hundred fifty years the cultural context that somehow explained my intimacy with Luke Henry better than I could, and my education… by Logan Scherer | Sep, 2019

A Points South essay from the Summer 2019 issue I have wanted to visit this house for years. Like many North Carolina kids, I grew up with the broad strokes of Thomas Wolfe’s story, the prolific, small-town genius who became… by Stephanie Powell Watts | Jun, 2019

A Points South essay from the Summer 2019 issue In 2007, the fossil remains of a severely disabled prehistoric man were uncovered in what is now Vietnam. The skeleton revealed the fused vertebrae and weak bones characteristic of a congenital disease… by Margaret Renkl | Jun, 2019

A Southern Journey from the Summer 2019 issue.  He began the letter by asking Larry to cremate him and scatter his ashes next to his second wife’s ashes at Johnson Beach in Perdido Key, Florida, “approximately 75 yards from end… by Britta Lokting | Jun, 2019

A featured short story from the Summer 2019 issue. You’ve always wished your mother, who is so deft with the cards, would learn to read fortunes. You want her to tell your future, holding nothing back. You want all of… by Anne Guidry | Jun, 2019

We would like to hear from you.  The magazine will begin publishing letters to the editor in the fall issue and going forward. If you would like to respond to a story published in the magazine, we welcome your letter. by Oxford American | Jun, 2019

Benjamin Dimmitt

Benjamin Dimmitt graduated from Eckerd College in St. Petersburg, Florida, and also studied at the International Center of Photography in NYC, the Santa Fe Photographic Workshop in Santa Fe, the Santa Reparata Graphic Arts Centre in Florence, Italy, and the City and Guild Arts School in London, England. He moved to New York City after college and held an adjunct professor position at the International Center of Photography from 2001-2013. He now lives and works in Asheville, North Carolina, and teaches workshops in the Southeast. Benjamin’s photographs have been exhibited at the Museum of Fine Arts, Houston, the School of International Center of Photography, NYC, the American Academy of Arts & Letters, NYC, the Ogden Museum of Southern Art, New Orleans, and the Florida Museum of Photographic Arts. His work is represented by Clayton Galleries in Tampa, and is in the collection of the Museum of Fine Arts, Houston, the American Academy of Arts and Letters, and the Florida Museum of Photographic Arts, among others. Benjamin’s photographs will be included in Asheville’s photo+sphere festival this fall and in a three-person climate change exhibit at the Southeast Museum of Photography next year.
September 05, 2018

Mangrove swamps occupy a vital role in the health of a coastline, particularly under the threat of increasingly powerful storms and rising seas. Inspired by his recollections of mangrove swamps while growing up on Florida’s Gulf Coast, Benjamin Dimmitt decided to revisit the shoreline, paying close attention to the unsuspected beauty and vitality of these resilient organisms.

September 20, 2016

For more than thirty years, photographer Benjamin Dimmitt has visited a fragile spring-fed estuary on Florida’s Gulf coast.