An essay from the Place Issue There was a time when I would have given anything for this quiet space to reflect. As it is, I’m tired of thinking about God, and maybe the reason I can’t figure out how… by Jamie Quatro | Aug, 2020

An essay from the Greatest Hits Music Issue I first met Skip James at Dick Waterman’s apartment in Cambridge in the summer of 1965. I sought him out because, quite simply, his music had overwhelmed me: the blues that he… by Peter Guralnick | Oct, 2020

A Points South essay from the Place Issue Not only was I in Tennessee, where racism punctuates our historical narrative, but this was Lawrenceburg, some scant eighteen miles from Pulaski, the Klan’s birthplace. And the Lawrenceburg folks had been some… by Rachel Louise Martin | Aug, 2020

An essay from the Place Issue At almost sixty miles in length, the Chattooga is one of the longest and last free-flowing rivers in the eastern United States, and mile for mile, it covers a steeper vertical drop than the… by Erik Reece | Aug, 2020

An introduction to the Greatest Hits Music Issue How does the South inform my music? How do I describe the sound that your bare feet make when they pat the cool, packed red dust under them? How do I describe… by Brittany Howard | Oct, 2020

A poem from the Place Issue Symptoms include an inability / to admit to oneself, let alone some chimeric / Crip, or Capulet, our deepest fear is not / that we are inherently adversarial. Though, / perhaps, it should be. by Marcus Wicker | Aug, 2020

 A Letter from the Editor, Place Issue. A tiresome stereotype about the American South is that this place is a monolith. Growing up in Arkansas, with the two sides of my family living in different regions of the state, I… by Eliza Borné | Jul, 2020

A feature essay from the Summer/Fall 2020 issue. Most people think of human trafficking as involving sex work, but trafficking occurs across a variety of industries, and migrants are as often coerced by threats of lawsuits and debt bondage as… by Rachel Mabe | Aug, 2020

An Omnivore essay from the Summer/Fall 2020 issue. Photographer Maury Gortemiller explores moments similar to this one in his series Do the Priest in Different Voices. I was startled to find my strange memories of this time reflected within his… by Jason Bruner | Aug, 2020

Benjamin Dimmitt

Benjamin Dimmitt graduated from Eckerd College in St. Petersburg, Florida, and also studied at the International Center of Photography in NYC, the Santa Fe Photographic Workshop in Santa Fe, the Santa Reparata Graphic Arts Centre in Florence, Italy, and the City and Guild Arts School in London, England. He moved to New York City after college and held an adjunct professor position at the International Center of Photography from 2001-2013. He now lives and works in Asheville, North Carolina, and teaches workshops in the Southeast. Benjamin’s photographs have been exhibited at the Museum of Fine Arts, Houston, the School of International Center of Photography, NYC, the American Academy of Arts & Letters, NYC, the Ogden Museum of Southern Art, New Orleans, and the Florida Museum of Photographic Arts. His work is represented by Clayton Galleries in Tampa, and is in the collection of the Museum of Fine Arts, Houston, the American Academy of Arts and Letters, and the Florida Museum of Photographic Arts, among others. Benjamin’s photographs will be included in Asheville’s photo+sphere festival this fall and in a three-person climate change exhibit at the Southeast Museum of Photography next year.
September 05, 2018

Mangrove swamps occupy a vital role in the health of a coastline, particularly under the threat of increasingly powerful storms and rising seas. Inspired by his recollections of mangrove swamps while growing up on Florida’s Gulf Coast, Benjamin Dimmitt decided to revisit the shoreline, paying close attention to the unsuspected beauty and vitality of these resilient organisms.

September 20, 2016

For more than thirty years, photographer Benjamin Dimmitt has visited a fragile spring-fed estuary on Florida’s Gulf coast.