A Points South essay from the Fall 2019 issue We all hear them, nearly two thousand young women making a joyful noise and heading this way in a ritual officially known as “Bid Day,” but called “Squeal Day” by pretty… by Diane Roberts | Sep, 2019

 A Letter from the Editor, Fall 2019. As a nonprofit, independent publication, the OA exists in an undefined space between literary journal and glossy general-interest magazine. We can embrace the best of both traditions as we see fit: publishing multi-page… by Eliza Borné | Sep, 2019

Male romantic friendships in art and life Everything about my reading and living felt belated. I’d missed by one hundred fifty years the cultural context that somehow explained my intimacy with Luke Henry better than I could, and my education… by Logan Scherer | Sep, 2019

A Points South essay from the Summer 2019 issue I have wanted to visit this house for years. Like many North Carolina kids, I grew up with the broad strokes of Thomas Wolfe’s story, the prolific, small-town genius who became… by Stephanie Powell Watts | Jun, 2019

A Points South essay from the Summer 2019 issue In 2007, the fossil remains of a severely disabled prehistoric man were uncovered in what is now Vietnam. The skeleton revealed the fused vertebrae and weak bones characteristic of a congenital disease… by Margaret Renkl | Jun, 2019

A Southern Journey from the Summer 2019 issue.  He began the letter by asking Larry to cremate him and scatter his ashes next to his second wife’s ashes at Johnson Beach in Perdido Key, Florida, “approximately 75 yards from end… by Britta Lokting | Jun, 2019

A featured short story from the Summer 2019 issue. You’ve always wished your mother, who is so deft with the cards, would learn to read fortunes. You want her to tell your future, holding nothing back. You want all of… by Anne Guidry | Jun, 2019

We would like to hear from you.  The magazine will begin publishing letters to the editor in the fall issue and going forward. If you would like to respond to a story published in the magazine, we welcome your letter. by Oxford American | Jun, 2019

Virginia Hanusik

Virginia Hanusik is an artist whose work focuses on the effects of climate change through physical and social analyses of landscapes. Her current project, A Receding Coast, chronicles the region’s history of architectural adaptation and has been exhibited internationally. Virginia’s photographs and writing have been featured in Domus, The Atlantic, and Places Journal. She lives in New York where she is a member of the Climate Working Group at NYU.

January 29, 2019

Taken in moments of tranquil cohabitation rather than scenes of flooding and disaster, Virginia Hanusik’s photographs interrogate the commonplace existence of communities touched by South Louisiana’s struggle with sea-level rise. “Despite the uncertainty that rising seas and coastal erosion bring to the region,” Hanusik writes, “there is hope found in the history of building practices and land migration patterns that are responses to environmental change.”

May 22, 2017

New Orleans is known as the impossible and inevitable city, due to its complex geography that tests the boundaries of human engineering. In her latest project, Virginia Hanusik examines “how a distinct sense of place is perpetuated through the built environment,” in a city whose uniqueness and aesthetic beauty is tied to the uncertainty of rising waters outside of the levee walls.

June 13, 2016

In her ongoing project Backwater, Virginia Hanusik examines how coastal communities—specifically in Southeast Louisiana—respond and adapt to land loss on what the artist calls “the frontline of climate change.”