A Points South essay from the South Carolina Music Issue. Myrtle Beach has always capitalized on tourists’ desire to put a soundtrack to their vacations. Long before the days of the megachurch-style country music theaters, like the Carolina Opry and… by Sarah Bryan | Nov, 2019

A Points South essay from the South Carolina Music Issue. All of Bill’s anecdotes about Diz played to this theme: here was a man, a titan of American music, whose genius helped revolutionize jazz in the forties, opening the door… by Maxwell George | Nov, 2019

Notes on the songs from our 21st Southern Music Issue Sampler featuring South Carolina. It is fitting that this Southern Music Issue (the Oxford American’s twenty-first) devoted to South Carolina should come in 2019, as the nation moves to better… by Oxford American | Nov, 2019

A feature essay from the South Carolina Music Issue.  Outside of his studies, Ron joined, and eventually presided over, the A&T karate club, and still made time to stay sharp on his saxophone. “People talk about born geniuses, but I… by Jon Kirby | Nov, 2019

Track 23 – “Resurrection” (Live) by Benny Starr feat. the FOUR20s   “Resurrection,” the first song on A Water Album, facilitates a kind of reconciliation between the Fitzgerald Wiggins of my youth and the man I aim to be. Seeing others… by Benny Starr | Nov, 2019

Track 5 – “Bad Case of the Blues” by Linda Martell  “Bad Case of the Blues” shouldn’t be compelling, but it is—because of Martell, the way she guides, colors, and shades the song. She infuses it with the dissonance of… by Katie Moulton | Nov, 2019

A feature essay from the South Carolina Music Issue.  There’s a high-achieving aptitude to it all, a certain polyglot prodigiousness. He knows how to hack and fuse genres, how to enter and exit. Part of his genius is that he’s… by Lauren Du Graf | Nov, 2019

We would like to hear from you.  The magazine will begin publishing letters to the editor in the fall issue and going forward. If you would like to respond to a story published in the magazine, we welcome your letter. by Oxford American | Jun, 2019

Kate Elizabeth Fowler

Kate Elizabeth Fowler is a photographer and filmmaker from Richmond, Virginia. She holds a BFA in Photography & Filmmaking from Virginia Commonwealth University and is currently Director of the Appalachian Media Institute, a project of the media arts center Appalshop in Whitesburg, Kentucky. Her work can be found here.

March 27, 2018

In Confederates in the Attic, Revisited, Kate Elizabeth Fowler revisits the landscapes of her childhood in an effort to make sense of the South’s “complicated relationship with history, revisionism, and romanticism.”

March 26, 2014

One morning in February, I woke up to the tragic news of Jamie Coot’s death from a venomous snakebite. I’ve been documenting the Pentecostal Holiness community since 2011, and this was the second time I’ve witnessed the devastating impact of a pastor’s death on a congregation. These profound events have had an immeasurable impact on my understanding of ethical representation and my belief in the integrity of documentary practice.