A Points South essay from the Summer 2019 issue I have wanted to visit this house for years. Like many North Carolina kids, I grew up with the broad strokes of Thomas Wolfe’s story, the prolific, small-town genius who became…by
Stephanie Powell Watts |
A Southern Journey from the Summer 2019 issue. Lenny did all he could to hang around it over the next couple of years, cleaning lines, fetching balls, brushing the clay to maintain a smooth surface. Eventually, after cocktail hour ended…by
Shaun Assael |
Mike Frolich’s artistic legacy in the Saturn Bar One of my many justifications for keeping the devil was Frolich’s claim that his paintings were created in part for the children of the Ninth Ward, more of whom run through our…by
Anne Gisleson |
We would like to hear from you. The magazine will begin publishing letters to the editor in the fall issue and going forward. If you would like to respond to a story published in the magazine, we welcome your letter.by
Oxford American |
A Southern Journey from the Summer 2019 issue. Today we think of the fight for educational equality as being a national story, one involving a progressive Supreme Court, a reluctant president, and a recalcitrant governor in Arkansas, but the struggle…by
Rachel Louise Martin |
A Letter from the Editor, Summer 2019. At the Oxford American, we receive many pitches for stories in the category of “pilgrimages,” or “literary road trips,” or “retracing X’s steps.” I understand the appeal: the traveler can see with her…by
Eliza Borné |
A featured short story from the Summer 2019 issue. Mother had no shortage of repulsive qualities, but the most disturbing was her laugh. Otherworldly. Piercing. A stranger would fall on the ice or a double-crossing cop would get his comeuppance…by
Graham Gordy |
Michael Mergen received an MFA in photography from the Rhode Island School of Design in 2011. His work has been featured in the New York Times Magazine, Harper’s, Mother Jones, and Once magazines. He has exhibited nationally and internationally, and his work is held in several public and private collections, including the University of Maine Museum of Art, the Center for Photography at Woodstock, the Longwood Center for the Visual Arts, Urban Outfitters, Inc., and Center for Emerging Visual Artists. He teaches photography at Longwood University in Farmville, Virginia, where he lives with his wife and daughter.
At a moment when national dialogue about the Confederate Flag is prevalent, Michael Mergen’s piece Confederate Heroes, Confederate Dead considers how the South—especially Virginia—memorializes the Confederacy.