An installment in John T. Edge's Points South column, Local Fare. “I do this to investigate complicity and interrogate white supremacy,” Tunde Wey said on a Monday night in October, standing on a chair before a dinner crowd of fifty-plus… by John T. Edge | Mar, 2018

A Writing on Writing essay from the 100th issue. Heroes are no trite matter—people worth looking up to are important at any age. Adult influences wield less power; we come to them more fully formed, with harder edges and less need.… by Tift Merritt | Mar, 2018

A Points South essay from the 100th issue. He used “Niggertown” to make the hearer reconcile the word with the man using it: Lolis Edward Elie, this civil rights lawyer, this man of letters, this collector of fine art and… by Lolis Eric Elie | Mar, 2018

A feature essay from the 100th issue. For Evangelical believers, the most important decision in one’s life—in some ways, the only choice that really matters—occurs abruptly, in the direct presence of God and other people, and then can’t be undone.… by Molly McCully Brown | Mar, 2018

An Omnivore essay from the 100th issue.  In the coming skirmishes over the legitimacy of color photography, the image would take on a great symbolic significance. This minor, inexplicable moment—in which a photographer had pondered a light bulb in the… by Will Stephenson | Mar, 2018

A Points South essay from the 100th issue.  New Orleans loves to celebrate and romanticize its French and Spanish influences. But so much of the city’s culture—the food, the music, the dance, Mardi Gras itself—is indebted to the Caribbean. New… by Laine Kaplan-Levenson | Mar, 2018

A feature essay from the 100th issue. From across the broad and whitecapped Indian River, the Kennedy Space Center looks like two tiny Lego sets in the distant vegetation. The palms here are windswept, the oaks are scrubby. Pelicans bob… by Lauren Groff | Mar, 2018

 A Letter from the Editor, Spring 2018. This issue is packed with other luminaries: Nikki Giovanni, Lolis Eric Elie, and Wendell Berry express the tenderness of our closest relationships. Randall Kenan and Thomas Pierce, contemporary masters of Southern fiction, offer… by Eliza Borné | Mar, 2018

A poem from the Spring 2018 issue. I know we are happy To hold them in our arms      Watching  Them squizzle by Nikki Giovanni | Mar, 2018

Wyatt Williams

Wyatt Williams lives and writes in Atlanta. He is currently at work on a book about meat.
January 22, 2018

Denis Johnson and revision. 

A couple of years later, I told someone about this, that the hitchhiker in “Emergency” is a real guy with the same name, that I’d watched this remarkable video of Johnson reading the story, and she second-guessed the whole thing. What if, she wondered, the interruption, the anecdote, the letter that Johnson reads is just another version of the story? It all fits together that way, that years later the narrator would be a novelist, that the character he’d almost forgotten was real would walk up and say hello. It feels a little like a final revision.

June 13, 2017

Following John McPhee to Florida.

McPhee’s book about oranges in the age of concentrate production is not a screed against industrial food or agribusiness priorities. There’s no scolding chapter explaining which oranges to buy at the grocery store. For that matter, there’s no hand-holding “what will happen in this book” chapter or really even much in the way of plot or main character, aside from the regular presence of our reporter guide. In that way, it doesn’t much resemble the books published about food today.

January 05, 2016

Twelve years ago, the historical reissue label Dust-to-Digital released a six-disc masterpiece of early spiritual recordings called Goodbye, Babylon. Lance Ledbetter, who runs the Atlanta record company with his wife, April, is working on another project that will match Goodbye, Babylon in size and scope. That is, if they can finish it.