An essay from the Place Issue My dad wanted his death, like his life, to be a work of art—a tomb he designed and filled with ceramics—and one that would allow him to define death on his own terms. My… by Alice Driver | Aug, 2020

An essay from the Place Issue The quest was half-ironic, but I was hoping at the same time to feel something I couldn’t make fun of. If a revelation from the Earth manifested inside my body, well, that would mean… by Liam Baranauskas | Aug, 2020

An essay from the Place Issue This congregation is the only one in eastern Alabama and was born out of a potluck dinner for Rosh Hashanah in the early ’80s when a local couple invited four friends over, telling them… by Carly Berlin | Aug, 2020

A feature essay from the Summer/Fall 2020 issue. This is how so many black families lose their land. One person wants to sell and starts an action that can force a sale. And if a developer wants the land, he… by Rosalind Bentley | Aug, 2020

A featured conversation from the Summer/Fall 2020 issue. “The pandemic in the United States opened up the truth of what that nation is about. Like a volcano, truth just came pouring out. Just layers and layers and layers. I keep… by Minnijean Brown Trickey and Crystal C. Mercer, moderated by Danielle A. Jackson; photographs by Ebony Blevins | Aug, 2020

A Points South essay from the Place Issue As of today’s journey, our family has been in quarantine for more than a hundred days. Summer camp plans have fallen by the wayside, much like those color-coded home-school schedules parents passed… by Karen Good Marable | Aug, 2020

An Omnivore essay from the Summer/Fall 2020 issue. Johns has said that, even as a child, he wanted to be an artist—only he didn’t know what an artist was. “In the place where I was a child, there were no… by Baynard Woods | Aug, 2020

 A Letter from the Editor, Place Issue. A tiresome stereotype about the American South is that this place is a monolith. Growing up in Arkansas, with the two sides of my family living in different regions of the state, I… by Eliza Borné | Jul, 2020

John Lingan

John Lingan is the author of Homeplace: A Southern Town, a Country Legend, and the Last Days of a Mountaintop Honky-Tonk. He lives in Maryland and is writing a biography of Creedence Clearwater Revival.

August 25, 2020

An essay from the Place Issue

As a music writer and amateur New Orleans obsessive, I’ve known of Buddy Bolden for years—known what there is to know, that is, about a musician who left no recordings. The shotgun on First Street was deemed a New Orleans Historic Landmark in 1978, but the last ten years for this house, his longest and final residence, have been a saga of demolition by neglect, the City Council’s term when levying fines. 

January 21, 2016

Johnny Mercer drew from the same black musical traditions as Elvis would a generation later and made, if not quite a billion dollars, certainly an inexhaustible fortune, and left behind a half-dozen of America’s most indelible melodies besides.

October 29, 2015

“They all seemed together by ear,” according to Nancy Blake. “It was the first time I’d ever seen hillbilly string musicians hit that Charles Mingus headspace. I knew there was music coming into the world that had never been in it before.”