A feature essay from the Spring 2020 issue. I moved to Texas in 2017 and returned often to Dilley. When I would chat with residents—after a city council meeting, at the nail salon, before a cook-off—they’d ask if I was… by Emily Gogolak | Mar, 2020

A Points South essay from the Spring 2020 issue As sea levels rise, there’s more water than ever coming down the Atchafalaya. Shrimp are being pushed offshore, farther into the Gulf, emptying the bayous that Kermit Duck, Douglas Oleander, and… by Jeanie Riess | Mar, 2020

 A Letter from the Editor, Spring 2020. Over the years, I have come to admire a certain kind of story that the Oxford American, as a quarterly magazine untethered from the demands of a rapid news cycle, is especially well… by Eliza Borné | Mar, 2020

A Points South essay from the South Carolina Music Issue. Lillie’s sound is not readily identifiable as black or white but seems a merger of the two as she effortlessly blends country and blues in a haunting song about family… by Eric Crawford | Nov, 2019

A Points South essay from the South Carolina Music Issue. What I want is to love Southern rock without being implicated in the Old South politics. I want progress but I want it surgical. Take secession and Strom Thurmond, take… by Mark Powell | Nov, 2019

Writers reflect on Charles Portis He was the real thing, but he was modest about it. An awestruck fan meeting him by chance in a Little Rock bar named the Faded Rose gushed at him, praising him as a great… by Oxford American | Feb, 2020

An Omnivore essay from the Spring 2020 issue.  All kinds of rumors followed Mr. Myers around campus, most of which, it turns out, had some basis in fact: that he was a ferocious tennis player who hated to lose; that… by Benjamin Anastas | Mar, 2020

We would like to hear from you.  The magazine will begin publishing letters to the editor in the fall issue and going forward. If you would like to respond to a story published in the magazine, we welcome your letter. by Oxford American | Jun, 2019

Nikky Finney

Nikky Finney was born in South Carolina. Her newest collection, Love Child’s Hot Bed of Occasional Poetry, will be published by Northwestern University Press in April 2020.

November 19, 2019

A poem from the South Carolina Music Issue.

Clara Smith, Blues woman. They share 
a room with no peephole, old gal, 

young gal, they laugh and tell the boys 
who want to stop by, they’s roommates. 

October 27, 2015

. . . . Whenever they look at me they see Civil War. Rape. The
great historical dismissive black boy walk away. When they shoot
me and leave me in the street for four hours facedown on the hot
summer pavement while my mother screams on the porch they
see sugar plantations melting in the distance.

September 01, 2015

The slow dance of the Civil War and the enslavement of Black people in America are my working metaphors for the poem known as The Battle of and for the Black Face Boy.