A Writing on Writing essay from the 100th issue. I keep a photograph on my desk that I printed from the internet. It is a candid snapshot, taken at the end of a gathering of black women. It must be… by Jamey Hatley | Mar, 2018

A Southern Journey from the Summer 2018 issue.  I’d often thought of going to Cuba, but in the summer of 2017 I was nearing the end of the first draft of the novel, and it became clear I needed to… by Lucas Loredo | Jun, 2018

A Points South essay from the 100th issue. He used “Niggertown” to make the hearer reconcile the word with the man using it: Lolis Edward Elie, this civil rights lawyer, this man of letters, this collector of fine art and… by Lolis Eric Elie | Mar, 2018

An Omnivore essay by James Dickey, previously unpublished, from the 100th issue. The point I would make here is that so much of the mind is just chucked away, discounted, overlooked, junked. The real use of the imagination begins precisely… by James Dickey | Mar, 2018

An Omnivore essay from the 100th issue.  In the coming skirmishes over the legitimacy of color photography, the image would take on a great symbolic significance. This minor, inexplicable moment—in which a photographer had pondered a light bulb in the… by Will Stephenson | Mar, 2018

A Points South essay from the 100th issue.  New Orleans loves to celebrate and romanticize its French and Spanish influences. But so much of the city’s culture—the food, the music, the dance, Mardi Gras itself—is indebted to the Caribbean. New… by Laine Kaplan-Levenson | Mar, 2018

A feature essay from the 100th issue. From across the broad and whitecapped Indian River, the Kennedy Space Center looks like two tiny Lego sets in the distant vegetation. The palms here are windswept, the oaks are scrubby. Pelicans bob… by Lauren Groff | Mar, 2018

 A Letter from the Editor, Summer 2018. Sometimes we go on journeys just for fun, and sometimes we go because we have to, even when it’s hard. In our third annual Southern Journeys summer feature, five writers travel far and… by Eliza Borné | Jun, 2018

A poem from the Spring 2018 issue. I know we are happy To hold them in our arms      Watching  Them squizzle by Nikki Giovanni | Mar, 2018

Jamey Hatley

Jamey Hatley is a Memphian. Her writing has appeared in Callaloo, Memphis Noir, and elsewhere. She is codirector of the Center for Southern Literary Arts and a 2016 Rona Jaffe Foundation Writers’ Award Winner.
March 13, 2018

A Writing on Writing essay from the 100th issue.

I keep a photograph on my desk that I printed from the internet. It is a candid snapshot, taken at the end of a gathering of black women. It must be fall because most of them are wearing coats. It looks as if someone insisted at the last minute that they take a photo to capture the evening. In the background, a portrait of Bessie Smith, the blues singer, hangs on the wall. 

December 01, 2010

After breakfast on Saturday, my mama would turn on the WDIA program All Blues Saturday and the blues would growl out of the cream-and-gold GE radio on the kitchen counter, eclipsing my cartoons. Sometimes, she would call to my daddy that one of his songs was on and they would share a low, private chuckle about old times. Grown-up times. Mississippi times.