Notes on the songs from our 21st Southern Music Issue Sampler featuring South Carolina. It is fitting that this Southern Music Issue (the Oxford American’s twenty-first) devoted to South Carolina should come in 2019, as the nation moves to better… by Oxford American | Nov, 2019

A Points South essay from the South Carolina Music Issue. A problem solver, Jones would ultimately get his drums from his mother’s record collection, as her Charles Wright and Isaac Hayes albums began migrating into his room. “There wasn’t enough… by Dave Tompkins | Nov, 2019

A feature essay from the South Carolina Music Issue.  Outside of his studies, Ron joined, and eventually presided over, the A&T karate club, and still made time to stay sharp on his saxophone. “People talk about born geniuses, but I… by Jon Kirby | Nov, 2019

A liner note essay from our South Carolina Music Issue We all know that Southern music needs to be heard and celebrated. However, visibility (exposure) cannot be pitted against our chance at a healthy life. The Oxford American’s ask of… by Anjali of Diaspoura | Nov, 2019

A graphic story from the Fall 2019 issue.  Like many cities, Little Rock is a place of ghosts. The dead hover and haunt, though their stories often go untold. This story is a work of fiction inspired by some of… by Van Jensen & Nate Powell | Sep, 2019

A feature short story from the Fall 2019 issue. The godmother is like an ancestor who never really left. Someone who’s here even when they’re not. The godmother is what happens when somebody asks your name and you suddenly can’t… by Selena Anderson | Sep, 2019

A new episode of Points South is now playing!Subscribe today and never miss an episode. Episode Four features the OA editors discussing the upcoming South Carolina Music Issue and sharing their favorite stories and behind-the-scenes moments. Plus: A preview of the issue’s… by Sara A. Lewis | Nov, 2019

We would like to hear from you.  The magazine will begin publishing letters to the editor in the fall issue and going forward. If you would like to respond to a story published in the magazine, we welcome your letter. by Oxford American | Jun, 2019

Jon Kirby

Jon Kirby is a former editor at Wax Poetics magazine and a Grammy-nominated producer with the Chicago-based reissue label the Numero Group. He is currently compiling a complete discography of North Carolina rap singles. He last wrote for the magazine about Winston-Salem r&b singer Wesley Johnson. 
November 19, 2019

A feature essay from the South Carolina Music Issue. 

Outside of his studies, Ron joined, and eventually presided over, the A&T karate club, and still made time to stay sharp on his saxophone. “People talk about born geniuses, but I always thought of Ron as a self-made genius,” recalled Ron’s college roommate, Keenan Sarratt. “He got his through hard work. That’s one thing I learned from him—nothing’s impossible. If it couldn’t be done, you’d have to convince him it couldn’t be done.” 

November 20, 2018

A Points South essay from the North Carolina Music Issue.

I first heard Wesley Johnson’s name in 2008 while speaking with Carlotta Fleming (née Samuels) about her vocal group, Odyssey 5. After recording their lone LP, First Time Around, for Brunswick Records in 1974, she’d spent a few years in Italy singing in a group called Wess Machine, the namesake disco ensemble of a man named Wesley Johnson—a Winston-Salem native who’d been moving and shaking to some degree in Italy. I didn’t get tied up in the few details Fleming had to offer, so I was floored a decade later to encounter a box of Wesley Johnson LPs—all Italian pressings—in a Jamaican record shop. These beautiful, gatefold affairs revealed that Johnson was not some draft dodger or bail hopper, but a prolific expat whose overseas success story remained mostly unknown back home. In Winston-Salem, his sister Linda told me the best person to speak to about Wesley would be his best friend, Carl Ray Johnson, whom I knew as the drummer and primary songwriter for the Eliminators, another important local soul combo from the seventies. Luckily, I was already in touch with Carl.

December 10, 2010

From the Alabama music issue.

G-Side is a group that has been on the brink of underground eminence for the bulk of their career, and they’ve been discovered several times. Effortless to enjoy, difficult to compartmentalize, the most logical ways to describe them seem contradictions in terms.