A feature essay from the Spring 2020 issue. I moved to Texas in 2017 and returned often to Dilley. When I would chat with residents—after a city council meeting, at the nail salon, before a cook-off—they’d ask if I was… by Emily Gogolak | Mar, 2020

A Points South essay from the Spring 2020 issue As sea levels rise, there’s more water than ever coming down the Atchafalaya. Shrimp are being pushed offshore, farther into the Gulf, emptying the bayous that Kermit Duck, Douglas Oleander, and… by Jeanie Riess | Mar, 2020

 A Letter from the Editor, Spring 2020. Over the years, I have come to admire a certain kind of story that the Oxford American, as a quarterly magazine untethered from the demands of a rapid news cycle, is especially well… by Eliza Borné | Mar, 2020

A Points South essay from the South Carolina Music Issue. Lillie’s sound is not readily identifiable as black or white but seems a merger of the two as she effortlessly blends country and blues in a haunting song about family… by Eric Crawford | Nov, 2019

A Points South essay from the South Carolina Music Issue. What I want is to love Southern rock without being implicated in the Old South politics. I want progress but I want it surgical. Take secession and Strom Thurmond, take… by Mark Powell | Nov, 2019

Writers reflect on Charles Portis He was the real thing, but he was modest about it. An awestruck fan meeting him by chance in a Little Rock bar named the Faded Rose gushed at him, praising him as a great… by Oxford American | Feb, 2020

An Omnivore essay from the Spring 2020 issue.  All kinds of rumors followed Mr. Myers around campus, most of which, it turns out, had some basis in fact: that he was a ferocious tennis player who hated to lose; that… by Benjamin Anastas | Mar, 2020

We would like to hear from you.  The magazine will begin publishing letters to the editor in the fall issue and going forward. If you would like to respond to a story published in the magazine, we welcome your letter. by Oxford American | Jun, 2019

Nickole Brown & Jessica Jacobs

Jessica Jacobs is the author Pelvis with Distance, a biography-in-poems of Georgia O’Keeffe (White Pine Press, 2015). Her work has or will appear in Beloit Poetry Journal, The Missouri Review, Cave Wall, the Academy of American Poets Poem-a-Day Project, and elsewhere. She is on faculty at the Sewanee Young Writers’ Conference and will be the 2016 Hendrix-Murphy Writer-in-Residence at Hendrix College.

Nickole Brown’s books include Fanny Says (BOA Editions, 2015) and Sister (Red Hen Press, 2007). She graduated from The Vermont College of Fine Arts, studied literature at Oxford University as an English Speaking Union Scholar, and was the editorial assistant for the late Hunter S. Thompson. Currently, she is the Editor for the Marie Alexander Series in Prose Poetry at White Pine Press and is on faculty at the Sewanee Young Writers’ Conference and at the low-residency MFA Program in Creative Writing at Murray State.
July 02, 2015

Letters from Little Rock

We are shaped by the era and the family into which we are born, but what can be a greater act of self-definition than making you my wife, my chosen family?