A Points South essay from the South Carolina Music Issue. Myrtle Beach has always capitalized on tourists’ desire to put a soundtrack to their vacations. Long before the days of the megachurch-style country music theaters, like the Carolina Opry and… by Sarah Bryan | Nov, 2019

A Points South essay from the South Carolina Music Issue. All of Bill’s anecdotes about Diz played to this theme: here was a man, a titan of American music, whose genius helped revolutionize jazz in the forties, opening the door… by Maxwell George | Nov, 2019

A feature essay from the South Carolina Music Issue.  The thing that they do, I hesitate to say that you have to be there, but—there is an intimacy and devilment to their live performance, a lift and crash, that has… by David Ramsey | Nov, 2019

Notes on the songs from our 21st Southern Music Issue Sampler featuring South Carolina. It is fitting that this Southern Music Issue (the Oxford American’s twenty-first) devoted to South Carolina should come in 2019, as the nation moves to better… by Oxford American | Nov, 2019

A feature essay from the South Carolina Music Issue.  Outside of his studies, Ron joined, and eventually presided over, the A&T karate club, and still made time to stay sharp on his saxophone. “People talk about born geniuses, but I… by Jon Kirby | Nov, 2019

Track 23 – “Resurrection” (Live) by Benny Starr feat. the FOUR20s   “Resurrection,” the first song on A Water Album, facilitates a kind of reconciliation between the Fitzgerald Wiggins of my youth and the man I aim to be. Seeing others… by Benny Starr | Nov, 2019

Track 5 – “Bad Case of the Blues” by Linda Martell  “Bad Case of the Blues” shouldn’t be compelling, but it is—because of Martell, the way she guides, colors, and shades the song. She infuses it with the dissonance of… by Katie Moulton | Nov, 2019

We would like to hear from you.  The magazine will begin publishing letters to the editor in the fall issue and going forward. If you would like to respond to a story published in the magazine, we welcome your letter. by Oxford American | Jun, 2019

March 09, 2017

’Til the Day I Die is a visual exploration of gospel and blues, shot on Super 8mm film.

May 26, 2017

The films and young filmmakers of the Summer Documentary Institute at Appalshop’s Appalachian Media Institute.

Generations of eastern Kentucky youth have had to contend with the question of whether to leave, alongside the demeaning narrative of the rural “brain drain.” This reductive theory posits that the best and brightest minds leave rural communities for urban communities. This simplification of data ignores the stories of those who choose to stay or are not able to leave. For many young people here, it is an act of resistance to stay in the community they love.

June 05, 2017

The films and young filmmakers of the Summer Documentary Institute at Appalshop’s Appalachian Media Institute.

Introducing the film “Go Your Own Way” and its creators, Jaydon Tolliver, Elyssia Lowe, and Joshua Collier.

June 13, 2017

The films and young filmmakers of the Summer Documentary Institute at Appalshop’s Appalachian Media Institute.

Introducing the film “Justice for All” and its creators, Oliver Baker and Aaron Combs.

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