A Points South essay from the South Carolina Music Issue. Myrtle Beach has always capitalized on tourists’ desire to put a soundtrack to their vacations. Long before the days of the megachurch-style country music theaters, like the Carolina Opry and… by Sarah Bryan | Nov, 2019

A Points South essay from the South Carolina Music Issue. All of Bill’s anecdotes about Diz played to this theme: here was a man, a titan of American music, whose genius helped revolutionize jazz in the forties, opening the door… by Maxwell George | Nov, 2019

A feature essay from the South Carolina Music Issue.  The thing that they do, I hesitate to say that you have to be there, but—there is an intimacy and devilment to their live performance, a lift and crash, that has… by David Ramsey | Nov, 2019

Notes on the songs from our 21st Southern Music Issue Sampler featuring South Carolina. It is fitting that this Southern Music Issue (the Oxford American’s twenty-first) devoted to South Carolina should come in 2019, as the nation moves to better… by Oxford American | Nov, 2019

A feature essay from the South Carolina Music Issue.  Outside of his studies, Ron joined, and eventually presided over, the A&T karate club, and still made time to stay sharp on his saxophone. “People talk about born geniuses, but I… by Jon Kirby | Nov, 2019

Track 23 – “Resurrection” (Live) by Benny Starr feat. the FOUR20s   “Resurrection,” the first song on A Water Album, facilitates a kind of reconciliation between the Fitzgerald Wiggins of my youth and the man I aim to be. Seeing others… by Benny Starr | Nov, 2019

Track 5 – “Bad Case of the Blues” by Linda Martell  “Bad Case of the Blues” shouldn’t be compelling, but it is—because of Martell, the way she guides, colors, and shades the song. She infuses it with the dissonance of… by Katie Moulton | Nov, 2019

We would like to hear from you.  The magazine will begin publishing letters to the editor in the fall issue and going forward. If you would like to respond to a story published in the magazine, we welcome your letter. by Oxford American | Jun, 2019

November 20, 2018

A poem from the North Carolina Music Issue.

It rises from dust, rakes in the populace, 
feeds them fried Twinkies, fried trees if they could 
put them on a stick and powder them in sugar. 
Bodies bunch up: the perfumed, the balmy, 
the whole way to watch the potter at his wheel, 
the carver and his knife, the knee-high rope 
around an old America. 

February 24, 2016

A poem from the Georgia Music issue. 

The summer that I turned nineteen
And felt grown-up in love,
I took a job as an archivist
Sifting through a trove

November 20, 2018

A poem from the North Carolina Music Issue.

When it snows, the entire post 
shuts down like there is no war 
going on. Perhaps the higher-ups 
decide to let those left behind, 
for the moment, savor the chance 
to shape snowmen with their children 
or lie beside another warm body. 
Probably it is lack of preparedness. 

February 24, 2016

A poem from our Georgia Music Issue.

In his call to the marketplace

the griot urges the skin     clasps

the first beat

January 08, 2016

When I was named poet laureate of the State of Mississippi, it was a big deal to me because it was “the state that made a crime // of me.” To go from that world to ostensibly being the most publicly present advocate for the arts and letters in the state almost defies belief. It meant for me a kind of recognition as a native—which is, of course, what Native Guard is trying to do: to claim my native-ness, my American-ness, my right to full citizenship of this place.

February 24, 2016

A poem from the Georgia Music issue. 

That ribbed black box that could be coaxed to croon
by surer hands than ours—where did it come from?
From whose family history? Was it in tune?

February 24, 2016

A poem from our Georgia Music Issue.

Come June this brook runs soft, 
takes its lumps, before the family 
gets AC, your cheap bike busted, 
walking tar-heeled, skin-to-skin

February 26, 2016

Since joining the Oxford American in 2014, I’ve taken the occasion of our annual music issue to offer our readers a variety of special poetry features. I feel that our Georgia issue, aligned with the spirit of that state, acts as a little archive of a certain time and place, a bound capsule of song and sensibility.

April 24, 2019

A Conversation with Ashley M. Jones

“To me, she is beauty, she is grace, she is Miss America; America would never name her that, because she had hard features and was Black and proud, but she is what America is actually made of.”

March 05, 2013

A conversation with Miller Williams. 

I do believe that poetry is more satisfying when it has a pattern similar to those of songs. I wish that I could sing well, as I’m sure you know my daughter Lucinda does, and writes her own songs. Hank Williams (no kinship there) told me that since he often wrote his lyrics months before he set them to music, they spent those months as sort-of poems. I think the kinship is real.