An installment in John T. Edge's Points South column, Local Fare. When I began reading and thinking about Dixie Vodka, I didn’t want to gallop toward a conclusion. I aimed to plod, to listen, to map the paper trail of… by John T. Edge | Jun, 2018

A short story from the Fall 2018 issue. He saw no need to damn a place just on the face of it; he figured there must be a flower blooming somewhere in West Memphis, though he had seen no sign… by David Wesley Williams | Sep, 2018

A feature essay from the Fall 2018 issue. Why was my great-great-grandfather always referred to as “Robert Singleton, the Civil War veteran who lost his leg at Murfreesboro, then went on to become Clerk of the County Court” rather than… by Danielle Chapman | Sep, 2018

 A Letter from the Editor, Fall 2018. I was struck by a phrase written by Jelani Cobb for the New Yorker, which characterized our former president as “a man who grasps history as the living context of our lives.” This… by Eliza Borné | Sep, 2018

A featured short story from the Fall 2018 issue. Our distant ancestor Harriett Moss made a living painting portraits of dead children. But before her career began in earnest, she sketched only cows. It was her husband, Thomas Moss, who… by Lee Conell | Sep, 2018

A Southern Journey from the Summer 2018 issue.  Pulled by the pale, stout horses, we listened as he told us the history of the paniolo culture in Hawaii. I sat on the wagon’s bench behind my father as he talked.… by Holly Haworth | Jun, 2018

A Points South story from the Fall 2018 issue “I just have this fear every day that somewhere there’s another load going to the landfill of the only known copy of something that helped change American music,” Darden told me.… by Will Bostwick | Sep, 2018

A feature essay from the Fall 2018 issue. I first devoured Robert Gipe’s books and plays because I wanted to understand Appalachia. I was searching for deeper insights than the victim-blaming bootstrap narrative espoused in J. D. Vance’s best-selling book,… by Beth Macy | Sep, 2018

Reading Florida.  You see one thing when you look at the state from a distance, but if you come closer, dig deeper, you always find something else. This probably has something to do with Disney World, but it also relates… by Sarah Viren | Jun, 2018

October 24, 2016

Rylan Steele’s Ave Maria is an investigation of the 5000-acre unincorporated town that goes by the same name. Founded in South Florida by pizza mogul Tom Monaghan, Ave Maria was built in 2005 and marketed as a utopia for strict Catholics to retirees and young families alike.

October 12, 2016

Before The Storm: A Photographic Study of America’s Coastline is an aerial photographic documentation, a portraiture, of the current and ephemeral American coastline. This selection includes images from Eyes on the Edge: J Henry Fair Photographs the Carolina Coastan exhibit at Columbia Museum of Art closing on October 23, 2016.

October 04, 2016

A photo essay from the Winter 2006 issue.

You saw the two pyramids as you rounded the bend in the highway. They were several stories high, rising above the Georgia pines. One was black and one was golden. If your car windows were rolled down, you could hear an ummmmm coming from unseen speakers.

October 03, 2016

In What Survives, Michael Morris looks at the values of faith and family that persist despite dwindling economies in rural Kentucky.

August 17, 2016

It’s a brisk February afternoon in Lexington, Kentucky, and Louis Zoeller Bickett II and I are sitting in his office, which is lined with 500 binders. A few shelves of author-signed books, all of them tagged and indexed, stand in the room behind me. Our coffee mugs are not tagged, but the small Windsor chair I’m sitting in is.

August 15, 2016

Here, in Virginia, at the places between public roads and private land, are uncultivated plants left to grow as they might.  A Virginia Roadside Companion is an ode to these back road still lifes.

August 01, 2016

December and Everything After looks closely at end-of-life suffering with a lens on the artist’s aging parents. The images included here follow the steady decline of Polly Gaillard’s mother since 2014, when she was found to have a slow growing abdominal sarcoma.

July 25, 2016

Harold F. Baquet—who died last year at fifty-six—takes an intimate look at New Orleans in the late 1980s. 

July 15, 2016

A story by Jill McCorkle from our Summer 2015 issue.

In all the pictures, the women held onto the poster of his bed, the very one right there. The closet door is standing open and she goes over to push it closed. The women all pose with the window behind them, the very window she is standing in front of, the window that is not on his side of the bed but hers—her window.

June 27, 2016

When the Road Seeks documents the photographer’s search for herself in a seemingly ever-expansive United States.