Interested in how the climate of the South “coalesces with the lifestyle and culture” of the region, Eric Ruby celebrates “light, color, heat, and haze,” in his project Leanen n’ Dreamen, exploring how these atmospheric elements inform a way of life in Tennessee, North Carolina, and Missouri.
In an effort to manifest William Faulkner’s idea that “The past is never dead. It’s not even past,” Lake Roberson Newton’s project, Flowers for the Dead, examines the preservation of historical homes, exploring how previously private spaces are transformed for, and by, public consumption.
One of eight historic African-American neighborhoods in Raleigh, North Carolina, SE Raleigh was first settled more than 130 years ago. Once a hub for business, education, and cultural life, rising property taxes and increased rent have forced many people in the area to move out of their homes.
In Myths of the Near Future Rob Stephenson considers the “Space Coast” of Florida after the closing of the Kennedy Space Center’s shuttle program. Interested both in documenting the very real economic struggles communities surrounding the Space Center have faced in the aftermath of the program’s end, and in exploring the “ambiguous realm between dream and reality, between past and future, nature and technology,” Stephenson’s photographs provide a portrait of a place suspended: “nostalgi[c] for the future as the promise of the Space Age slowly fades away.”