A selection of short stories in the Fall 2019 issue He had witnessed her appearance a few minutes earlier. Instantly he had known, from the way her pieces sifted together, that she was a ghost, though he had never seen… by Kevin Brockmeier | Sep, 2019

A Points South essay from the Fall 2019 issue A wolf suit. A boy suit. The belly button memory of a mama tether. An odd stone to mark the buried time capsule of your before body. Did your husband wince… by Marianne Jay Erhardt | Sep, 2019

A Louisiana tribe’s long fight against the American tide—feature reportage from the Fall 2019 issue.  Today, the island has a spare and haphazard beauty. Almost every day, fishermen stand in clusters along the island road, casting their nets into the… by Boyce Upholt | Sep, 2019

Could Lucy Negro Redux beckon a new era for ballet?—an Omnivore essay from the Fall 2019 issue. I believe artwork is more interesting—and will invite new audiences—when a wide swath of people are allowed to tell a variety of stories.… by Kelundra Smith | Sep, 2019

The pieces of Johnny Greene, an Omnivore essay from the Fall 2019 issue. Johnny used place as a recurrent theme, along with displacement. As a journalist, he was fascinated by communities, by groups of people and the environments which shaped… by James K. Williamson | Sep, 2019

 A Letter from the Editor, Fall 2019. As a nonprofit, independent publication, the OA exists in an undefined space between literary journal and glossy general-interest magazine. We can embrace the best of both traditions as we see fit: publishing multi-page… by Eliza Borné | Sep, 2019

Paddling to Walter Inglis Anderson’s Horn Island—a feature essay from the Fall 2019 issue. As we paddled, my awareness inverted, a shift in perspective that would continue for the entire journey. Though we were headed south, the world was tilted, and… by Julian Rankin | Sep, 2019

A new episode of Points South is now playing!Subscribe today and never miss an episode. Episode Two features Mary Miller, John Paul White + a feature story by Julian Rankin. For more information visit oxfordamerican.org/pointssouth. by Sara A. Lewis | Oct, 2019

We would like to hear from you.  The magazine will begin publishing letters to the editor in the fall issue and going forward. If you would like to respond to a story published in the magazine, we welcome your letter. by Oxford American | Jun, 2019

July 25, 2017

In Love Valley, Michaela O’Brien chronicles the lives and history of the people living in North Carolina’s “cowboy haven.”

July 31, 2017

In Rabun, Jennifer Garza-Cuen photographs a community in northern Georgia, a place “steeped in the cultural specifics associated with both the Deep South and Appalachia.”

May 06, 2014

Glenn Hall’s DarkWater captures the changing biological and environmental landscape of the Ohio River Valley—and what may be a dying way of life.

August 21, 2017

Tatum Shaw’s New Songs avoids any singular place of focus, creating instead a collection of dissonant hymns collected from across the South, Los Angeles, Portland, and New York City.

September 06, 2017

In The Seven Natural Wonders of Georgia, Caitlin Peterson explores the relationship between man and nature by drawing attention to the artificial elements of “the most wonderful natural places in all of Georgia.”

October 04, 2017

In Fair Bluff Evan Simko-Bednarski explores a North Carolina town “in danger of simply fading away,” struggling to recover from the damage caused by Hurricane Matthew in 2016. The flood and its destruction come after the one-two punch of the tobacco and textile industries crumbling in the 1990s. As one resident put it, “The town was dying. The hurricane just sped us up by ten or fifteen years.”

October 10, 2017

One month after Hurricane Harvey, Episcopal Priest Bertie Pearson visited Aransas Pass, Texas, to document the disaster. He found a city in ruins, as if it “had been lifted up and shaken, sending homes, boats, and trees flying in all directions.”

September 25, 2017

In That Land of Perfect Day is the culmination of Brandon Thibodeaux’s eight-year long residency in the towns of the northern Mississippi Delta, including the United States’ oldest completely African-American municipality, Mound Bayou. 

September 13, 2019

Richard Sexton’s forthcoming book, Enigmatic Stream: Industrial Landscapes of the Lower Mississippi River documents, in close to one hundred images spanning nearly twenty years of work, the role of industry along the riverbank.

October 09, 2019

Meg Roussos’s Pseudo Night series, according to the artist, evokes “a constructed reflection” of her experience with long-distance hiking.