Through capturing the details of the land and the way people live, Missy Prince attempts to give form to the tender darkness she feels in the Mississippi air.
I’ll See You On The Beach addresses sites that commemorate the American legacies of exploration, conquest, and the instillation of nationalism by way of stimulating displays.
At the beginning of 2013, a contest in the Florida Everglades opened, allowing the public hunting of invasive Burmese pythons. Hunters from across the country descended on the Florida wetlands in search of the prey.
The counterpoint between personality and place, portrait and landscape underpin much of what John Sanderson admits are travel memories of his younger days, when his vantage was from the passenger seat of his father’s pick-up.
In Take Me to the River, Michael Kolster explores the Androscoggin, Schuylkill, James, and Savannah Rivers as they emerge from two centuries of industrial use and neglect.
Novelist Patrick Wensink believes the home’s backside is where the true self is best seen—a haunting, colorful, and often humorous world that goes unnoticed, ignored.
From 1830 to 1860, Richmond, Virginia, was the largest supplier of enslaved Africans on the east coast of the United States.
In his project I Need Some Rest, Florida photographer Carson Gilliland seeks the “clues locked in a profound stillness of primeval night bathed in sodium vapor glow and humid sky.”
The region of South Carolina coast dubbed the Grand Strand is known for its beaches and attractions that draw millions of people in the summer months. In Above the Surface, Tyler MacDonald looks beyond the popular tourist spots to explore the region’s unique landscape and community.
