Gathering Charles Portis’s many contributions to the Oxford American Following the death of the this “least-known great writer,” we’re revisiting his life and work.   by The Editors | Feb, 2020

A Points South essay from the South Carolina Music Issue. Esquerita and Little Richard stayed in touch as friends, collaborators, and rivals until 1986, when Little Richard was inducted into the Rock & Roll Hall of Fame and Esquerita died,… by Baynard Woods | Nov, 2019

A Points South essay from the South Carolina Music Issue. I didn’t even know if I knew how to let go of the pain of my past. It has, after all, made me the woman I am. by Joshunda Sanders | Nov, 2019

A feature essay from the South Carolina Music Issue.  Funk is at once spiritual and pugilistic and reparative and confrontational. It does not demand you apologize for slavery but absconds over the Atlantic with its freedom and hovers over the… by Zandria F. Robinson | Oct, 2019

A feature essay from the South Carolina Music Issue.  The thing that they do, I hesitate to say that you have to be there, but—there is an intimacy and devilment to their live performance, a lift and crash, that has… by David Ramsey | Nov, 2019

Track 9 – “Paradise” by Charlie McAlister It might sound like kitchen-sink music at first, seemingly made with whatever junk was lying around and played by whoever happened to be there. It might seem off, even uncomfortably so. But listen… by Liam Baranauskas | Nov, 2019

Notes on the songs from our 21st Southern Music Issue Sampler featuring South Carolina. It is fitting that this Southern Music Issue (the Oxford American’s twenty-first) devoted to South Carolina should come in 2019, as the nation moves to better… by Oxford American | Nov, 2019

A feature essay from the South Carolina Music Issue.  Outside of his studies, Ron joined, and eventually presided over, the A&T karate club, and still made time to stay sharp on his saxophone. “People talk about born geniuses, but I… by Jon Kirby | Nov, 2019

We would like to hear from you.  The magazine will begin publishing letters to the editor in the fall issue and going forward. If you would like to respond to a story published in the magazine, we welcome your letter. by Oxford American | Jun, 2019

August 14, 2019

In an ongoing series of startling black and white images, Andrew O’Brien captures landscapes along Stringer’s Ridge, a nature preserve near Chattanooga, Tennessee, and annotates them by overlaying pixelated dots, slashes, and abstract shapes to create otherworldly scenes.

August 22, 2019

In anticipation of their annual gathering next month, we’ve partnered with SlowExposures, a “juried exhibition celebrating photography of the rural American South,” to curate this special edition of Eyes on the South.

July 24, 2019

In his series Sippi, Ty White documents the scenes off the rural backroads that make the Mississippi Delta distinct.

July 16, 2019

On Nochoway documents the efforts of photographer Anna Norton’s family to restore two hundred fifty acres of mismanaged woodlands to a sustainable ecosystem through controlled burning and the reintroduction of native species.

July 10, 2019

In his ongoing series I’m Right Here, Jake Harrison Miller explores his hometown of Knoxville, Tennessee, through thoughtful stills and surprising portraits of neighbors, family members, and strangers.

June 25, 2019

For the poignant series Another Day in Paradise, Whitten Sabbatini captures quiet moments across the Hill Country of Tennessee, Mississippi, and Louisiana in his black and white landscapes and portraits.

June 18, 2019

Maury Gortemiller’s years-long project, Do the Priest in Different Voices, was inspired by his early memories of a family Bible. Enthralled by its illustrations, Gortemiller recalls that they “evoked both comfort and trepidation” and “moved me to contemplate the unseen.”

May 29, 2019

In his project, Piedmont, Graham Hamby comments on the cycle of land development—creation, disrepair, and abandonment—with photographs of painted murals, abandoned storefronts, and spare landscapes.

April 16, 2019

Based in Oxford, Mississippi, White has spent the past twenty years exploring reservoirs, and her project, Southern Oceans, relies on “photography’s potential to de-familiarize the harnessed water of enormous public-works projects, transforming them into newly imagined landscapes.”

February 27, 2019

Sensing herself “growing damp and static,” Grace Ann Leadbeater left Florida in 2012, thrilled by her escape. But soon she began to recognize—and long for—the joys of the place she once begrudgingly called home.