A selection of short stories in the Fall 2019 issue He had witnessed her appearance a few minutes earlier. Instantly he had known, from the way her pieces sifted together, that she was a ghost, though he had never seen… by Kevin Brockmeier | Sep, 2019

A Points South essay from the Fall 2019 issue A wolf suit. A boy suit. The belly button memory of a mama tether. An odd stone to mark the buried time capsule of your before body. Did your husband wince… by Marianne Jay Erhardt | Sep, 2019

A Louisiana tribe’s long fight against the American tide—feature reportage from the Fall 2019 issue.  Today, the island has a spare and haphazard beauty. Almost every day, fishermen stand in clusters along the island road, casting their nets into the… by Boyce Upholt | Sep, 2019

Could Lucy Negro Redux beckon a new era for ballet?—an Omnivore essay from the Fall 2019 issue. I believe artwork is more interesting—and will invite new audiences—when a wide swath of people are allowed to tell a variety of stories.… by Kelundra Smith | Sep, 2019

The pieces of Johnny Greene, an Omnivore essay from the Fall 2019 issue. Johnny used place as a recurrent theme, along with displacement. As a journalist, he was fascinated by communities, by groups of people and the environments which shaped… by James K. Williamson | Sep, 2019

 A Letter from the Editor, Fall 2019. As a nonprofit, independent publication, the OA exists in an undefined space between literary journal and glossy general-interest magazine. We can embrace the best of both traditions as we see fit: publishing multi-page… by Eliza Borné | Sep, 2019

Paddling to Walter Inglis Anderson’s Horn Island—a feature essay from the Fall 2019 issue. As we paddled, my awareness inverted, a shift in perspective that would continue for the entire journey. Though we were headed south, the world was tilted, and… by Julian Rankin | Sep, 2019

A new episode of Points South is now playing!Subscribe today and never miss an episode. Episode Two features Mary Miller, John Paul White + a feature story by Julian Rankin. For more information visit oxfordamerican.org/pointssouth. by Sara A. Lewis | Oct, 2019

We would like to hear from you.  The magazine will begin publishing letters to the editor in the fall issue and going forward. If you would like to respond to a story published in the magazine, we welcome your letter. by Oxford American | Jun, 2019

April 18, 2017

But those are facts, and “facts” are exactly what I don’t want to know, inasmuch as they will inevitably get in the way of the little fictions I’ve enjoyed telling myself during my walks for most of the last twenty-five years. 

April 07, 2016

A photo essay from the Spring 2016 issue. 

In late summer of 1995, photographer and musician Richard Leo Johnson and his wife, Jane, lost almost everything they owned when their friend’s storage barn burned down in Eureka Springs, Arkansas. Furniture, antiques, books, records, master tapes, and the whole of Johnson’s photography career over two decades—prints, negatives, everything—incinerated overnight. Last fall, a box of negatives was discovered in a Little Rock attic, hundreds of photographs from Richard’s early career—black-and-white pictures of everyday life in rural northern Louisiana and southern Arkansas.

August 17, 2017

An installment in our weekly series, The By and By.

As James Taylor puts it, “These images of our dear friend and native son, Reynolds Price, are precious reminders of a lovely life, fully lived and generously shared with those of us lucky enough to have known him. Every page summons the memory of that indomitable spirit and wry conspiratorial humor. How could he be both compassionate and wicked? It is even good to miss him.”

May 09, 2017

Photographs from This Land: An American Portrait.

Jack Spencer spent thirteen years working on the project and traveled more than eighty thousand miles across all forty-eight contiguous states looking for scenes and moments that he says are “an expression of the perception of an ideal.”

July 15, 2016

A story by Jill McCorkle from our Summer 2015 issue.

In all the pictures, the women held onto the poster of his bed, the very one right there. The closet door is standing open and she goes over to push it closed. The women all pose with the window behind them, the very window she is standing in front of, the window that is not on his side of the bed but hers—her window.

September 07, 2017

An installment in our weekly series, The By and By.

Since 2001 Christopher Sims has been “investigating, with a profound and insistent curiosity, American military ventures from the perspective of the home front.” For ten years Sims photographed staged Iraqi and Afghan villages on the training grounds of U.S. Army bases deep in the forests of North Carolina and Louisiana.

April 01, 2014

A selection of photographs by Maude Schuyler Clay documenting the stray dogs of the Mississippi Delta.

December 06, 2016

I live five miles from where the Hawk’s Nest Tunnel tragedy unfolded, along the New River Gorge in Fayette County. Hawk’s Nest is an extreme in a class of extremes—the disaster where truly nothing seemed to survive, even in memory—and I have made a home in its catacombs. The historical record is disgracefully neglectful of the event, and only a handful of the workers’ names were ever made known. What’s more, any understanding of Hawk’s Nest involves the discomfort of the acute race divide in West Virginia, seldom acknowledged or discussed. Indeed, race is still downplayed in official accounts. Disaster binds our people, maybe. But what if you’re one of those deemed unworthy of memory?

February 27, 2017

Photographs from the Summer 2014 issue. 

Drawing from the famous nineteenth century portraits made by Doris Ulmann, Lisa Elmaleh’s project American Folk documents the contemporary development of traditional arts throughout the Appalachian Mountains.

April 14, 2016

A photography feature from our Spring 2013 issue.

The landscape photography of J Henry Fair explores the permeable boundary between unearthly beauty and unspeakable environmental destruction.