In the aftermath of Hurricane Katrina, Strembicki photographed forty-four houses of worship in the Lower Ninth ward of New Orleans, then revisited them year after year, speaking with pastors, deacons, and members, recording the state of their church and its structures.
Based in Oxford, Mississippi, White has spent the past twenty years exploring reservoirs, and her project, Southern Oceans, relies on “photography’s potential to de-familiarize the harnessed water of enormous public-works projects, transforming them into newly imagined landscapes.”
Told though the hybrid means of diptychs, overlaid polaroids, archival materials, and more, Alec Kaus’s Haunts and Related Incidents creates a “nebulous yet self-contained constellation” of images inspired by the W.P.A. Georgia Writers Project collection.
Taken in moments of tranquil cohabitation rather than scenes of flooding and disaster, Virginia Hanusik’s photographs interrogate the commonplace existence of communities touched by South Louisiana’s struggle with sea-level rise. “Despite the uncertainty that rising seas and coastal erosion bring to the region,” Hanusik writes, “there is hope found in the history of building practices and land migration patterns that are responses to environmental change.”